(Avant-Garde Jazz, Electric Jazz) [CD] Jozef Dumoulin Trio - Rainbow Body - 2011, FLAC (tracks+.cue), lossless
Jozef Dumoulin Trio - Rainbow Body
Жанр: Avant-Garde Jazz, Electric Jazz
Носитель: CD
Страна-производитель диска (релиза): Франция
Год издания: 2011
Издатель (лейбл): Bee Jazz
Номер по каталогу: BEE 048
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 56:31
Источник (релизер): tdelyon
Наличие сканов в содержимом раздачи: даТреклист:
01. Mata (Dumoulin-Dunn-Thielemans) - 4:49
02. For the Monsters Under Our Beds (Dumoulin-Dunn-Thielemans) - 2:06
03. Fuga X (Dumoulin) - 4:41
04. Mei (Dumoulin) - 6:01
05. Shinji (Dumoulin-Dunn-Thielemans) - 3:37
06. The Dragon Warrior (Dumoulin) - 3:56
07. Volkan (Dumoulin) - 8:36
08. Somayeh (Dumoulin) - 0:38
09. Sosuke (Dumoulin) - 3:28
10. Birthday Cake (Dumoulin) - 4:50
11. Sachiko (Dumoulin) - 5:13
12. Venkataraman (Dumoulin-Dunn-Thielemans) - 4:29
13. Asia (aka La Pivellina) (Dumoulin) - 4:07Состав:
Jozef Dumoulin - Fender Rhodes, keyboards
Trevor Dunn - electric bass
Eric Thielemans - drumsRecorded at Studio Mercredi 9, Paris in July 2011.
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 12. November 2011, 16:56Jozef Dumoulin / Rainbow BodyUsed drive : PHILIPS SPD3400CC Adapter: 3 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceGap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUM ARTIST=%albumartist%" -T "ALBUMARTIST=%albumartist%" -T "COMMENT=EAC V1.0 beta 3, Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:49.00 | 0 | 21674 2 | 4:49.00 | 2:06.00 | 21675 | 31124 3 | 6:55.00 | 4:41.00 | 31125 | 52199 4 | 11:36.00 | 6:01.00 | 52200 | 79274 5 | 17:37.00 | 3:37.00 | 79275 | 95549 6 | 21:14.00 | 3:56.00 | 95550 | 113249 7 | 25:10.00 | 8:36.00 | 113250 | 151949 8 | 33:46.00 | 0:38.00 | 151950 | 154799 9 | 34:24.00 | 3:28.00 | 154800 | 170399 10 | 37:52.00 | 4:50.00 | 170400 | 192149 11 | 42:42.00 | 5:13.01 | 192150 | 215625 12 | 47:55.01 | 4:29.13 | 215626 | 235813 13 | 52:24.14 | 4:06.61 | 235814 | 254324Track 1 Filename C:\Rips\01 Mata.wav Pre-gap length 0:00:02.00 Peak level 94.3 % Extraction speed 1.9 X Track quality 100.0 % Test CRC BFEFCB1B Copy CRC BFEFCB1B Track not present in AccurateRip database Copy OKTrack 2 Filename C:\Rips\02 For The Monsters Under Our Beds.wav Pre-gap length 0:00:04.00 Peak level 94.4 % Extraction speed 1.8 X Track quality 100.0 % Test CRC 743A9ADE Copy CRC 743A9ADE Track not present in AccurateRip database Copy OKTrack 3 Filename C:\Rips\03 Fuga X.wav Pre-gap length 0:00:05.00 Peak level 94.4 % Extraction speed 2.2 X Track quality 100.0 % Test CRC CDAB1D21 Copy CRC CDAB1D21 Track not present in AccurateRip database Copy OKTrack 4 Filename C:\Rips\04 Mei.wav Pre-gap length 0:00:03.00 Peak level 94.4 % Extraction speed 2.5 X Track quality 100.0 % Test CRC 87E16E9A Copy CRC 87E16E9A Track not present in AccurateRip database Copy OKTrack 5 Filename C:\Rips\05 Shinji.wav Pre-gap length 0:00:05.00 Peak level 94.4 % Extraction speed 2.5 X Track quality 100.0 % Test CRC F85E442C Copy CRC F85E442C Track not present in AccurateRip database Copy OKTrack 6 Filename C:\Rips\06 The Dragon Warrior.wav Pre-gap length 0:00:05.00 Peak level 94.4 % Extraction speed 2.7 X Track quality 100.0 % Test CRC AA282AFD Copy CRC AA282AFD Track not present in AccurateRip database Copy OKTrack 7 Filename C:\Rips\07 Volkan.wav Pre-gap length 0:00:03.00 Peak level 94.4 % Extraction speed 3.1 X Track quality 100.0 % Test CRC 73FA9B31 Copy CRC 73FA9B31 Track not present in AccurateRip database Copy OKTrack 8 Filename C:\Rips\08 Somayeh.wav Pre-gap length 0:00:01.00 Peak level 56.8 % Extraction speed 1.8 X Track quality 100.0 % Test CRC 58105FB0 Copy CRC 58105FB0 Track not present in AccurateRip database Copy OKTrack 9 Filename C:\Rips\09 Sosuke.wav Pre-gap length 0:00:04.00 Peak level 79.4 % Extraction speed 3.1 X Track quality 100.0 % Test CRC A279364C Copy CRC A279364C Track not present in AccurateRip database Copy OKTrack 10 Filename C:\Rips\10 Birthday Cake.wav Pre-gap length 0:00:06.00 Peak level 94.4 % Extraction speed 3.3 X Track quality 100.0 % Test CRC 6E1361C6 Copy CRC 6E1361C6 Track not present in AccurateRip database Copy OKTrack 11 Filename C:\Rips\11 Sachiko.wav Pre-gap length 0:00:06.00 Peak level 94.3 % Extraction speed 3.5 X Track quality 100.0 % Test CRC 08BC1510 Copy CRC 08BC1510 Track not present in AccurateRip database Copy OKTrack 12 Filename C:\Rips\12 Venkataraman.wav Peak level 94.3 % Extraction speed 3.6 X Track quality 100.0 % Test CRC 1DEA0470 Copy CRC 1DEA0470 Track not present in AccurateRip database Copy OKTrack 13 Filename C:\Rips\13 Asia (Aka La Pivellina).wav Peak level 56.6 % Extraction speed 3.6 X Track quality 100.0 % Test CRC F5951706 Copy CRC F5951706 Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report==== Log checksum 8F846778CAC625C1D7EA1630D0F6EED914091AB2C2308FE073B036DB635B1087 ====
Содержание индексной карты (.CUE)
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Отчет CUETools
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Review by Jeff Dayton-JohnsonBelgian pianist Jozef Dumoulin's début release with his band Lidlboj, Trees Are Always Right (Bee Jazz, 2009), revealed this one-time John Taylor student to be something of an aficionado of farting around. This is not meant pejoratively, necessarily; farting around is an honorable activity in some quarters of improvised music, and can give rise to good work (think of Marion Brown's Afternoon of a Georgia Faun (ECM, 1970), for example). That said, the results were encouraging when Dumoulin, as a sideman on reed player Magic Malik's strong Short Cuts (Bee Jazz, 2011), was obliged to keep the farting around in check.
Rainbow Body—essentially an electric-trio record—imposes a further formal discipline on Dumoulin that energizes the proceedings with a focus and coherence missing from Trees.
Rainbow Body's interest and raison d'être derive from its jarring juxtapositions, both in its musical pedigree and in its arrangements and organization. At times Dumoulin solos like an overexcited Chick Corea, but other times his playing more closely resembles Pierre Boulez and the brainy IRCAM crowd. It's jazz in that it's a small group improvising on musical themes, but it also draws upon various generations of electronic and prog-rock sounds and procedures.
In terms of the arrangements, too, there are brash (and sometimes brusque) contrasts. It is rarely the case that all three musicians will pull in different directions, but almost always two are pitted against one: emphatically arrhythmic or atonal (or both) musical materials on one hand, against a conventional and easy-to-grasp framework on the other.
The starkest and probably most successful example is "The Dragon Warrior." Over a cloyingly smooth rhythm track that sounds like a 1980s soft-rock number, solos built from highly-distorted sounds are provided by Dumoulin (certainly) and bassist Trevor Dunn (probably). The contrast is striking, but by the end of the number, the freer- jazz soloists are apparently attempting to hew to the line dictated by the soft-rock number, both in terms of the placement of their rude sound-clusters and in the rising and falling of the notes they play.
On some tracks the keyboards play the straight man, alongside idiosyncratic drumming (as on the subtle "Sosuke," where drummer Eric Thielemans sounds a bit like Paul Motian); on others bassist Dunn anchors the piece (as with " Venkataraman"'s ostinato bass figure). On "Fuga X," (simultaneously an homage to Bach and to Ornette Coleman and Pat Metheny's "Song X," (from Song X (Nonesuch, 1986)?), Dumoulin plays a veritable fugue while the drum and bass turn out a marvelous and entirely straightforward shuffle. The result is not always a success, but the overall effort is always undertaken with intelligence and empathy among the musicians.
The album's overall success and coherence owes a lot to its good sound. Not just Frédéric Carrayol's pristine and full recording, but especially the keyboard sound, upon which Dumoulin lavishes loving attention. Sometimes he sounds like a dated be-beeping 1970s computer, at others he coaxes the chunkiest possible Fender Rhodes sound, with all of its connotations of a diversity of records past.