(Avant-Garde Jazz, Contemporary Jazz) [CD] The Peggy Lee Band (feat. Ron Samworth, Tony Wilson, Dylan Van Der Schyff a.o.) - New Code - 2008, FLAC (tracks+.cue), lossless

The Peggy Lee Band / New Code Жанр: Avant-Garde Jazz, Contemporary Jazz Носитель: CD Страна-производитель диска: Canada Год издания: 2008 Издатель (лейбл): Drip Audio Номер по каталогу: DA00318 Страна: Canada Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 59:01 Источник (релизер): свой фирменный диск Наличие сканов в содержимом раздачи: Треклист: 1. All I Really Want To Do 5:24 2. Preparations 8:35 3. Offshoot 1 3:46 4. Not A Wake Up Call 5:55 5. Floating Island 4:46 6. Offshoot 2 2:45 7. Scribble Town 3:47 8. Tug 4:19 9. Offshoot 3 3:42 10. Walk Me Through 6:21 11. Shifting Tide 4:51 12. Lost In The Stars 4:24  Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 26. March 2014, 23:40The Peggy Lee Band / New CodeUsed drive : PIONEER DVD-RW DVR-115D Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 48Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceGap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 896 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:24.70 | 0 | 24369 2 | 5:24.70 | 8:39.44 | 24370 | 63338 3 | 14:04.39 | 3:46.36 | 63339 | 80324 4 | 17:51.00 | 5:55.55 | 80325 | 107004 5 | 23:46.55 | 4:46.38 | 107005 | 128492 6 | 28:33.18 | 2:45.13 | 128493 | 140880 7 | 31:18.31 | 3:51.17 | 140881 | 158222 8 | 35:09.48 | 4:23.12 | 158223 | 177959 9 | 39:32.60 | 3:42.54 | 177960 | 194663 10 | 43:15.39 | 6:25.72 | 194664 | 223610 11 | 49:41.36 | 4:55.12 | 223611 | 245747 12 | 54:36.48 | 4:24.66 | 245748 | 265613Track 1 Filename D:\zzz\01 - All I Really Want To Do.wav Pre-gap length 0:00:02.00 Peak level 99.7 % Extraction speed 4.5 X Track quality 100.0 % Test CRC 557E2DDE Copy CRC 557E2DDE Accurately ripped (confidence 3) [06A83E18] (AR v2) Copy OKTrack 2 Filename D:\zzz\02 - Preparations.wav Peak level 100.0 % Extraction speed 5.1 X Track quality 99.9 % Test CRC 8112715B Copy CRC 8112715B Accurately ripped (confidence 3) [C6CEF587] (AR v2) Copy OKTrack 3 Filename D:\zzz\03 - Offshoot 1.wav Pre-gap length 0:00:04.00 Peak level 99.6 % Extraction speed 5.5 X Track quality 100.0 % Test CRC 658F4098 Copy CRC 658F4098 Accurately ripped (confidence 3) [EC2566A3] (AR v2) Copy OKTrack 4 Filename D:\zzz\04 - Not A Wake Up Call.wav Peak level 100.0 % Extraction speed 6.2 X Track quality 100.0 % Test CRC 3578D041 Copy CRC 3578D041 Accurately ripped (confidence 3) [3526A198] (AR v2) Copy OKTrack 5 Filename D:\zzz\05 - Floating Island.wav Peak level 97.8 % Extraction speed 5.9 X Track quality 99.9 % Test CRC 0C51D383 Copy CRC 0C51D383 Accurately ripped (confidence 3) [B4425F1E] (AR v2) Copy OKTrack 6 Filename D:\zzz\06 - Offshoot 2.wav Peak level 99.3 % Extraction speed 6.2 X Track quality 100.0 % Test CRC 3DC52948 Copy CRC 3DC52948 Accurately ripped (confidence 3) [25FFC057] (AR v2) Copy OKTrack 7 Filename D:\zzz\07 - Scribble Town.wav Peak level 100.0 % Extraction speed 6.7 X Track quality 100.0 % Test CRC 82902003 Copy CRC 82902003 Accurately ripped (confidence 2) [0B8A8E06] (AR v2) Copy OKTrack 8 Filename D:\zzz\08 - Tug.wav Pre-gap length 0:00:04.00 Peak level 100.0 % Extraction speed 7.2 X Track quality 100.0 % Test CRC 8D920386 Copy CRC 8D920386 Accurately ripped (confidence 3) [C54EAE84] (AR v2) Copy OKTrack 9 Filename D:\zzz\09 - Offshoot 3.wav Pre-gap length 0:00:04.00 Peak level 97.9 % Extraction speed 7.1 X Track quality 100.0 % Test CRC E6F80BAD Copy CRC E6F80BAD Accurately ripped (confidence 3) [A0874E9F] (AR v2) Copy OKTrack 10 Filename D:\zzz\10 - Walk Me Through.wav Peak level 98.8 % Extraction speed 7.9 X Track quality 100.0 % Test CRC 7D1731A0 Copy CRC 7D1731A0 Accurately ripped (confidence 3) [D7E24210] (AR v2) Copy OKTrack 11 Filename D:\zzz\11 - Shifting Tide.wav Pre-gap length 0:00:04.00 Peak level 99.3 % Extraction speed 7.3 X Track quality 99.9 % Test CRC 838EA700 Copy CRC 838EA700 Accurately ripped (confidence 3) [AD6F2E94] (AR v2) Copy OKTrack 12 Filename D:\zzz\12 - Lost In The Stars.wav Pre-gap length 0:00:04.00 Peak level 99.4 % Extraction speed 8.1 X Track quality 100.0 % Test CRC B0A87986 Copy CRC B0A87986 Accurately ripped (confidence 3) [C37041CB] (AR v2) Copy OKAll tracks accurately rippedNo errors occurredEnd of status report==== Log checksum 1C383D8D665237668CCD87F2009D1BBD1494C7564B46887E6E51E43B80627F37 ====  Содержание индексной карты (.CUE) REM GENRE "Avant-Garde Jazz"REM DATE 2008REM DISCID AE0DD50CREM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "The Peggy Lee Band"TITLE "New Code"FILE "01 - All I Really Want To Do.wav" WAVE TRACK 01 AUDIO TITLE "All I Really Want To Do" PERFORMER "The Peggy Lee Band" INDEX 01 00:00:00FILE "02 - Preparations.wav" WAVE TRACK 02 AUDIO TITLE "Preparations" PERFORMER "The Peggy Lee Band" INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Offshoot 1" PERFORMER "The Peggy Lee Band" INDEX 00 08:35:44FILE "03 - Offshoot 1.wav" WAVE INDEX 01 00:00:00FILE "04 - Not A Wake Up Call.wav" WAVE TRACK 04 AUDIO TITLE "Not A Wake Up Call" PERFORMER "The Peggy Lee Band" INDEX 01 00:00:00FILE "05 - Floating Island.wav" WAVE TRACK 05 AUDIO TITLE "Floating Island" PERFORMER "The Peggy Lee Band" INDEX 01 00:00:00FILE "06 - Offshoot 2.wav" WAVE TRACK 06 AUDIO TITLE "Offshoot 2" PERFORMER "The Peggy Lee Band" INDEX 01 00:00:00FILE "07 - Scribble Town.wav" WAVE TRACK 07 AUDIO TITLE "Scribble Town" PERFORMER "The Peggy Lee Band" INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Tug" PERFORMER "The Peggy Lee Band" INDEX 00 03:47:17FILE "08 - Tug.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Offshoot 3" PERFORMER "The Peggy Lee Band" INDEX 00 04:19:12FILE "09 - Offshoot 3.wav" WAVE INDEX 01 00:00:00FILE "10 - Walk Me Through.wav" WAVE TRACK 10 AUDIO TITLE "Walk Me Through" PERFORMER "The Peggy Lee Band" INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "Shifting Tide" PERFORMER "The Peggy Lee Band" INDEX 00 06:21:72FILE "11 - Shifting Tide.wav" WAVE INDEX 01 00:00:00 TRACK 12 AUDIO TITLE "Lost In The Stars" PERFORMER "The Peggy Lee Band" INDEX 00 04:51:12FILE "12 - Lost In The Stars.wav" WAVE INDEX 01 00:00:00  Лог проверки качества d:\>d:\aucdtect -d/-m0 d:\zzz\*.wavauCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.------------------------------------------------------------Processing file: [01. All I Really Want To Do.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [02. Preparations.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [03. Offshoot 1.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [04. Not A Wake Up Call.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [05. Floating Island.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [06. Offshoot 2.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [07. Scribble Town.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [08. Tug.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [09. Offshoot 3.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [10. Walk Me Through.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [11. Shifting Tide.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [12. Lost In The Stars.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Final Conclusion:------------------------------------------------------------These tracks looks like CDDA with probability 100% Доп. информация:  Album Info & CloudsAndClocks.net Review(Bob Dylan) - 1 (Lee) - 2,4,5,7,8,10,11 (Berkman/Samworth/Van Der Schyff) - 3 (Lee/Turner) - 6 (Bentley/Lachance/Wilson) - 9 (Kurt Weill) - 12Produced by Peggy Lee and Dylan Van Der Schyff Recorded by Sheldon Zaharko at The Factory Studios, Vancouver B.C., Canada Mixed, edited and mastered by Dylan Van Der Schyff at Zio UovoPhotographs by Jessica Eaton Design by Andy DixonTo say that I waited four long years for this album to appear would be an exaggeration. But it's true that from the time of the release of Peggy Lee's previous album I often wondered about what she would do next (and after some time had passed, what had happened to her sextet). Released about four years ago, Worlds Apart - her third album for the Canadian label Spool - showed a musician caught right in the middle of a beautiful process of growth when it came to her roles as an instrumentalist, arranger, and composer (the respective percentages of her success according to this writer being represented by the aforementioned order of her roles). Even if I thought that the process of growth and maturation had still some way to go, still I believed that all she really needed was to work a lot, assiduously. Which I know is not easy. I really can't say how Peggy Lee spent the last four years, exactly (a blessing when it comes to easiness of access, the Web has brought us a degree of fragmentation that can turn any certitude into an hypothesis). But I know of two albums (and some gigs) as a member of the Gravitas Quartet, the group of para-chamber-music-like instrumentation (piano, cello, bassoon, and trumpet) led by Wayne Horvitz, a musician with whom Peggy Lee shared some traits. New Code is not (yet) the album that I firmly believe Peggy Lee has inside herself, but it's a very fine work nonetheless. Quite easy to recognize starting from the first cello notes, here she offers many arrangements rich with invention and colour. Though not all the compositions featured here could be called memorable, they use a plurality of approaches that's quite welcome. Maybe one hour is a bit too much - this listener found his attention drifting, once in a while - but I think the intent here being to show the whole available palette, both compositionally and instrumentally. The news are that the sextet has now become an octet: Jon Bently's tenor sax and Ron Samworth's guitars (the latter having appeared on her previous album) are now featured alongside Lee's cello, Dylan van der Schyff's drums, Brad Turner's trumpet and flugelhorn, Jeremy Berkman's trombone, Andre Lachance's electric bass, and Tony Wilson's guitars. The album was produced by Lee and van der Schyff, the latter being also responsible for the mixing and editing. The whole doesn't sound too bad. Maybe due to reasons of sound balance, this time van der Schyff's drums reminded me quite a bit of Paul Motian, with fine work on cymbals, the drums placed behind in the mix. Most of the time the cello is easy to hear (though I would have preferred a bit more volume given to the tasty counterpoint work to the solos on track one). Bentley's tenor has an "airy", light, attack that often reminded me of a soprano's. The electric bass is quite difficult to hear (again!). Sounding "jazzy" in a tasty way, trumpet, flugelhorn, and trombone show Brad Turner and Jeremy Berkman in fine form. The guitarists here adopt a complementary approach: on the left channel, Wilson plays quite "jazzy" most of the time, while Samworth pushes the distortion pedal, à la Elliott Sharp. The album features seven original compositions, two covers, and three concise improvisations: the varied Offshoot 1 is a trio for guitar, trombone, and drums; Offshoot 2 has a fine duo for trumpet and cello; Offshoot 3 has bass and tenor alongside Wilson's guitar, here for once sounding not too far from Derek Bailey. The album opens with a tasty cover of Bob Dylan's All I Really Want To Do, sounding very mariachi: fine solos - in order: trumpet, tenor, trombone, guitar -, with nice counterpoint from the cello, and dynamic drums. The only track of a considerable length in an album that otherwise wisely favours brevity, Preparations opens with a slow fade-in of about 2' (cymbals stroked with arco, cello), then goes to an ensemble theme whose mood reminded me a bit of the group President, circa Miracle Mile; a guitar arpeggio introduces - at about 7' 10" - a nice theme for winds. Not A Wake Up Call has cello, guitar harmonics, arco, and a solo by Samworth à la Elliott Sharp, backed by an arpeggio by Wilson and van der Schyff's cymbals and drums. Winds appearing in fade-in mode, the tracks ends with a guitar loop and an echo which bring us to... ... Floating Island, one of the album's peaks: a simple melodic phrase (think of a more catatonic-sounding In A Silent Way), with trumpet, trombone (both played with mute), and guitar playing an almost-but-not-quite unison. Scribble Town has a jazzy mood, and a fractured melody that for a minute reminded me of Monk's Epistrophy. Good solo by tenor, with nice backing from drums. Tug has a "lyrical"-sounding attack, a fine cello, a light mood, and a very Davis-like trumpet. Walk Me Through has a fine melody played by winds, and a jazzy guitar solo as its close. Shifting Tide's main part is by tenor. Subtle bossa hints, it almost reminded me of the "soft side" of Elton Dean, in his Soft Machine period. As a nice close, we have a cover of Kurt Weill's Lost In The Stars: the trumpet comes to the fore, then cello and winds traveling parallel, muted trumpet, quite appropriate drums.  СоставBrad Turner: trumpet, flugelhorn Jon Bentley: tenor saxophone Jeremy Berkman: trombone Peggy Lee: cello Ron Samworth: electric and acoustic guitars Tony Wilson: electric and acoustic guitars Andre Lachance: electric bass Dylan Van Der Schyff: drums