(Avant-Garde Jazz) Cecil Taylor Unit - The Eighth - 1981, FLAC (tracks+.cue), lossless

Cecil Taylor Unit - The Eighth Жанр: Avant-Garde Jazz Год выпуска диска: 1981 (переиздание 2006 года) Производитель диска: Швейцария Аудио кодек: FLAC Тип рипа: tracks Продолжительность: 69:01 Трэклист: 01 Calling It The 8th 18:16 02 Calling It The 8th 22:44 03 Calling It The 8th 17:09 04 Calling It The 9th 10:51Музыканты: Cecil Taylor - Bosendorfer piano Jimmy Lyons - alto saxophone William Parker - double bass Rashid Bakr - drums  Рецензия на альбом The Eighth от allaboutjazz.com (на английском)Half man and half force of nature, pianist Cecil Taylor has made his music a mass of opposites and contradictions. Simultaneously exhausting and liberating, primeval and space age, visceral and intellectually rigorous, it's like nothing that went before it and precious little that came afterward.As revolutionary a stylist as Charlie Parker and John Coltrane combined, Taylor has, like those two saxophonists, overcome initial incomprehension to take his rightful place as an acknowledged titan of contemporary music. But his total rejection of traditional structures and sonorities, and his refusal to countenance such a frailty as listener fatigue, has meant that his following has remained a small, albeit devoted one.This 24-bit reissue of Taylor's brilliant 1981 live album, The Eighth, shows why. "Calling It The 8th" is a 59-minute double-fisted, elbows-on-the-keyboard, off-the-gauge hurricane of passion, counter-rhythm and chromaticism. Its ten-minute reprise, "Calling It The 9th," achieves the same level of overwhelming intensity. But if you can surrender yourself to the onslaught and stay the course, you'll emerge invigorated and uplifted, bloody but stronger. It's a prize worth fighting for.Taylor's sound is so gigantic and sui generis that it's hard to pin down in words. He's frequently cited Bud Powell and Duke Ellington as primary inspirations, yet their influence is far from explicit. He shares Powell's dense intensity, but not his overriding darkness. He matches Ellington's genius for structure, but on an in-the-moment canvas. Taylor's approach is arguably closer to Little Richard's—but with a Zeus-like keyboard technique and a headful of off-planet hallucinogens.Like Ellington, however, Taylor values longevity in his band members. Alto saxophonist Jimmy Lyons had been playing with Taylor for twenty years at the time of this recording (and would continue to do so until his death five years later), and the interaction between the two is so attuned it's practically subliminal. Their four ten-minute passages of dual-core improvisation are the high peaks of the performance. Bassist William Parker and drummer Rashid Bakr are foregrounded less often, but do more than keep up.Taylor makes just two concessions, if they can be called that, one to listeners, the other to form. "The 8th" is digitally divided, during brief moments when the band cool down to regroup for a further assault, into three sections, each lasting about 19 minutes—bite-sized portions by Taylor's standards. "The 9th" closes with two minutes of almost conventional, pretty melodicism.Apart from that, you're on your own. Next time the force is with you, you could try sticking the headphones on and going for it.Chris May  Рецензия на альбом The Eighth от allaboutjazz.com (сокращенный перевод)Наполовину человек, а наполовину сила природы, пианист Сэсил Тэйлор сделал свою музыку сплетением противоположностей и противоречий. Одновременно утомляющая и освобождающая, доисторическая и космическая, интуитивная и интелектуально доскональная, она непохожа ни на что, существовавщее до нее, и мало на что, существовавщее после...Крис Мэй  обложки  EAC logEAC extraction logfile from 3. May 2008, 22:20 for CD Cecil Taylor Unit / The EighthUsed drive : PLEXTOR CD-R PX-W2410A Adapter: 1 ID: 1 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 98 Overread into Lead-In and Lead-Out : NoUsed output format : C:\Archivos de programa\FLAC\flac.exe (User Defined Encoder) 192 kBit/s Additional command line options : --best -V -T "date=%y" -T "genre=%m" %sOther options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interfaceTrack 1 Filename C:\Archivos de programa\eMule\Incoming\Cecil Taylor Unit - The Eighth (1981)\01 - Cecil Taylor Unit - Calling It The 8th - Part 1.wav Pre-gap length 0:00:02.00 Peak level 99.0 % Track quality 100.0 % Copy CRC 92C3C60B Copy OKTrack 2 Filename C:\Archivos de programa\eMule\Incoming\Cecil Taylor Unit - The Eighth (1981)\02 - Cecil Taylor Unit - Calling It The 8th - Part 2.wav Peak level 99.0 % Track quality 99.9 % Copy CRC 9260C0F3 Copy OKTrack 3 Filename C:\Archivos de programa\eMule\Incoming\Cecil Taylor Unit - The Eighth (1981)\03 - Cecil Taylor Unit - Calling It The 8th - Part 3.wav Peak level 98.9 % Track quality 99.9 % Copy CRC 0316866A Copy OKTrack 4 Filename C:\Archivos de programa\eMule\Incoming\Cecil Taylor Unit - The Eighth (1981)\04 - Cecil Taylor Unit - Calling It The 9th.wav Peak level 98.9 % Track quality 99.8 % Copy CRC D9A5BAA5 Copy OKNo errors occuredEnd of status report  Еще lossless альбомы Cecil Taylor от laocha на rutracker.org(Avant-Garde Jazz) Cecil Taylor - Algonquin - 2004, APE (tracks), losless  можно обратить внимание также на другие релизы свободного и авангардного джаза от laocha на rutracker.org(Avant-Garde Jazz) Ben Monder Trio - Oceana - 2005, FLAC (image+.cue), lossless (Avant-Garde Jazz) Ben Monder - Excavation - 2000, FLAC (image+.cue), lossless (Avant-Garde Jazz) Ben Monder Trio - Flux - 1995, FLAC (image+.cue), lossless (Avant-Garde Jazz) Henry Threadgill Sextett - Rag, Bush and All - 1989, FLAC (image+.cue), lossless (Avant-Garde Jazz) Henry Threadgill Very Very Circus - Carry The Day - 1995, FLAC (tracks), lossless (Avant-Garde Jazz) Pandelis Karayorgis, Mat Maneri - Disambiguation - 2002, FLAC (tracks+.cue) (Post-Bop, Free Jazz) Steve Lacy - Reflections: Steve Lacy Plays Thelonious Monk - 1959, FLAC (tracks+.cue), lossless (Avant-Garde Jazz / Post-Bop) Steve Lacy - The Door - 1989, FLAC (tracks+.cue), lossless (Avant-Garde Jazz / Post-Bop) Steve Lacy & Mal Waldron - Hot House - 1991, FLAC (tracks+.cue), lossless (Avant-Garde Jazz) Vinny Golia, Joelle Leandre & Ken Filiano - Haunting the Spirits Inside Them - 1995, APE (image+.cue), lossless (Avant-Garde / Free Improvisation) Alexander Nesterov, Yuriy Yaremchuk / Александр Нестеров, Юрий Яремчук - Prepared Piano and Soprano Saxophone - 1994, FLAC (tracks+.cue), lossless (Avant-Garde Jazz / Free Improvisation) Yuriy Yaremchuk, Sergej Zelenskiy / Юрий Яремчук, Сергей Зеленский - Figures - 2002, FLAC (tracks+.cue), lossless (Avant-Garde Jazz / Free Improvisation) Yuriy Yaremchuk, Mark Tokar / Юрий Яремчук, Марк Токар - Eight Compositions - 2005, FLAC (tracks+.cue), lossless (Avant-Garde Jazz / Free Improvisation) Yuriy Yaremchuk / Юрий Яремчук - Seven Compositions - 2006, FLAC (tracks+.cue), lossless  другая интересная музыка в lossless(Free Improvisation, Experimental) AMM - Fine - 2001, APE (tracks) (Folk/Ukrainian) Ніна Матвієнко - Золотослов / Нина Матвиенко - Золотослов - 1997, APE (image+.cue) Примечание: раннее подобная раздача существовала http://rutracker.org/forum/viewtopic.php?t=862400, но сейчас она нерабочая...