(Avant-Garde, Free Jazz) Mary Halvorson Quintet - Bending Bridges - 2012, FLAC (tracks+.cue), lossless
Mary Halvorson Quintet / Bending Bridges
Жанр: Avant-Garde, Free Jazz
Страна-производитель диска: US
Год издания: 2012
Издатель (лейбл): Firehouse 12
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 68:33
Источник (релизер): Otingocni
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Sinks When She Rounds The Bend (No. 22) 07:46
02. Hemorrhaging Smiles (No. 25) 07:56
03. Forgotten Men In Silver (No. 24) 08:00
04. Love In Eight Colors (No. 21) 10:12
05. The Periphery Of Scandal (No. 23) 07:49
06. That Old Sound (No. 27) 04:47
07. Sea Cut Like Snow (No. 26) 06:50
08. Deformed Weight Of Hands (No. 28) 07:06
09. All The Clocks (No. 29) 07:46Mary Halvorson - Guitars
John Hebert - Bass
Jonathan Finlayson - Trumpet
Jon Irabagon - Alto Saxophone
Ches Smith - Drums
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 31. July 2012, 10:51Mary Halvorson Quintet / Bending BridgesUsed drive : PIONEER DVD-RW DVR-111L Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 48Overread into Lead-In and Lead-Out : YesFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceGap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exeAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 7:48.33 | 0 | 35132 2 | 7:48.33 | 7:58.49 | 35133 | 71031 3 | 15:47.07 | 8:02.70 | 71032 | 107251 4 | 23:50.02 | 10:14.47 | 107252 | 153348 5 | 34:04.49 | 7:50.17 | 153349 | 188615 6 | 41:54.66 | 4:49.28 | 188616 | 210318 7 | 46:44.19 | 6:52.29 | 210319 | 241247 8 | 53:36.48 | 7:08.62 | 241248 | 273409 9 | 60:45.35 | 7:48.18 | 273410 | 308527Track 1 Filename D:\EAC Rips\Mary Halvorson Quintet - Bending Bridges (2012) - FLAC\01. Sinks When She Rounds the Bend (No. 22).wav Pre-gap length 0:00:02.00 Peak level 97.7 % Extraction speed 1.7 X Track quality 99.9 % Test CRC EEFB5D1A Copy CRC EEFB5D1A Track not present in AccurateRip database Copy OKTrack 2 Filename D:\EAC Rips\Mary Halvorson Quintet - Bending Bridges (2012) - FLAC\02. Hemorrhaging Smiles (No. 25).wav Peak level 97.7 % Extraction speed 2.1 X Track quality 100.0 % Test CRC D452A84C Copy CRC D452A84C Track not present in AccurateRip database Copy OKTrack 3 Filename D:\EAC Rips\Mary Halvorson Quintet - Bending Bridges (2012) - FLAC\03. Forgotten Men in Silver (No. 24).wav Peak level 97.7 % Extraction speed 2.4 X Track quality 100.0 % Test CRC 44A3CAC0 Copy CRC 44A3CAC0 Track not present in AccurateRip database Copy OKTrack 4 Filename D:\EAC Rips\Mary Halvorson Quintet - Bending Bridges (2012) - FLAC\04. Love in Eight Colors (No. 21).wav Peak level 97.7 % Extraction speed 2.7 X Track quality 100.0 % Test CRC 63E8A650 Copy CRC 63E8A650 Track not present in AccurateRip database Copy OKTrack 5 Filename D:\EAC Rips\Mary Halvorson Quintet - Bending Bridges (2012) - FLAC\05. The Periphery of Scandal (No. 23).wav Peak level 97.7 % Extraction speed 2.9 X Track quality 100.0 % Test CRC 68145BB7 Copy CRC 68145BB7 Track not present in AccurateRip database Copy OKTrack 6 Filename D:\EAC Rips\Mary Halvorson Quintet - Bending Bridges (2012) - FLAC\06. That Old Sound (No. 27).wav Peak level 97.7 % Extraction speed 2.9 X Track quality 100.0 % Test CRC 8B925B1E Copy CRC 8B925B1E Track not present in AccurateRip database Copy OKTrack 7 Filename D:\EAC Rips\Mary Halvorson Quintet - Bending Bridges (2012) - FLAC\07. Sea Cut Like Snow (No. 26).wav Peak level 97.7 % Extraction speed 3.1 X Track quality 100.0 % Test CRC A6FA7239 Copy CRC A6FA7239 Track not present in AccurateRip database Copy OKTrack 8 Filename D:\EAC Rips\Mary Halvorson Quintet - Bending Bridges (2012) - FLAC\08. Deformed Weight of Hands (No. 28).wav Peak level 97.7 % Extraction speed 3.3 X Track quality 100.0 % Test CRC 057774A9 Copy CRC 057774A9 Track not present in AccurateRip database Copy OKTrack 9 Filename D:\EAC Rips\Mary Halvorson Quintet - Bending Bridges (2012) - FLAC\09. All the Clocks (No. 29).wav Peak level 97.7 % Extraction speed 3.7 X Track quality 100.0 % Test CRC 98A42269 Copy CRC 98A42269 Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report---- CUETools DB Plugin V2.1.3[CTDB TOCID: sIXhkiR1rR11mQlh9DHGFno73n4-] found, Submit result: sIXhkiR1rR11mQlh9DHGFno73n4- has been confirmed[23773bec] (2/2) Accurately ripped==== Log checksum BD981645B728E97911B60A5B06A0EA52830B851E4671D3C4880D2360598F9367 ====
Содержание индексной карты (.CUE)
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Об альбоме (сборнике)For the sophomore effort from her quintet, guitarist Mary Halvorson reprises the winning formula of Saturn Sings (Firehouse 12, 2010). Again, there is a mix of pieces for the full ensemble and for Halvorson in trio; and, again, the end result defies classification, touching on spidery improv, jazz tradition and avant rock in a cleverly idiosyncratic brew. Only this time out, she is even more successful. Her writing has developed, unveiling appealing tunes enlivened by arrangements which extract the best from the resources at her disposal.In spite of the presence of illustrious saxophonist Jon Irabagon, Halvorson proves the star soloist, sounding like no one else. Her crisp, single line picking, alternately springy and spiky, remains readily identifiable after just a few notes, notwithstanding her diversity of pitch flexing effects and attacks. Bassist John Hébert and drummer Ches Smith create a synergetic response to the leader's discursive approach. Hébert anchors through a fleet-ingered, muscular tone, while the drummer ably accompanies Halvorson wherever she goes, whether needing rocky energy or nervy clatter. Irabagon and trumpeter Jonathan Finlayson appear on five of the nine selections. Neither is flashy. Finlayson's lean statements and fanfares provide a cooling balm while the reedman's trajectory is never straightforward. He sets challenges for himself which he meets with fluent ease, spinning keening Ornette-ish melodies one moment and abrasive distortion the next.Halvorson's knotty charts, with their countless unpredictable twists and varied backdrops, breed responsive and involved interplay. The pick of the quintet tracks is the opener, "Sinks When She Rounds The Bend." Typical of the relentless switchbacks, the nagging bittersweet theme first gives way to a short triumphal passage from the guitarist, and then a rippling, unaccompanied spot for Hébert, before building to a firestorm of skronk, the fervor dissipating to nothing in an unexpectedly understated finish. The turbulent "Love In Eight Colors" features Irabagon's most compelling statement: he starts with clipped plosive tones (which sound as if they are played backwards) before extending into an undulating legato which disintegrates into a litany of distorted blurts.Of the trio outings, "Forgotten Men In Silver" is particularly fine. A deceptively simple air emerges from a scratchy bass/drum interlude before being subjected to characteristic deconstruction, while on "That Old Sound," the languor is spiked by an insistent, questioning jangle which sets the mood for the ensuing interaction. But really, each cut repays close attention. How could Bending Bridges be improved? Perhaps only by featuring the full quintet throughout.http://www.allaboutjazz.com/php/article.php?id=41983#.UKUXBB0zaQA