(Avant-garde / Free Jazz) Anthony Braxton - Duets - Hamburg 1991 (8 Duets with Peter N. Wilson) {Music & Arts CD-710, USA} - 1992, FLAC (tracks+.cue) lossless

Anthony Braxton / Duets - Hamburg 1991Eight New Compositions by Anthony Braxton in Concert with Peter N. Wilson Жанр: Avant-garde / Free Jazz Страна-производитель диска: USA Год издания диска: 1992 Издатель (лейбл): Music & Arts Номер по каталогу: CD-710 Аудио кодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 01:09:48 Источник (релизер): mishka1981 Наличие сканов в содержимом раздачи: даТреклист:1. Composition No. 156 2. Composition No. 157 [Take One] 3. Composition No. 152 4. Composition No. 153 5. Composition No. 155 6. Composition No. 154 7. Composition No. 40a 8. Composition No. 157 [Take Two]Personnel:Anthony Braxton - sopranino and alto sax, flute & contrabass clarinet Peter Niklas Wilson - double bass  Лог создания рипа (EAC Log) Exact Audio Copy V1.0 beta 1 from 15. November 2010EAC extraction logfile from 12. June 2011, 19:55Anthony Braxton / Duets: Hamburg 1991Used drive : Optiarc DVD RW AD-7710H Adapter: 1 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 48Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 896 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %j--picture="%i"%j %s -o %dTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 8:49.02 | 0 | 39676 2 | 8:49.02 | 7:08.53 | 39677 | 71829 3 | 15:57.55 | 10:54.62 | 71830 | 120941 4 | 26:52.42 | 12:26.73 | 120942 | 176964 5 | 39:19.40 | 6:00.37 | 176965 | 204001 6 | 45:20.02 | 7:15.43 | 204002 | 236669 7 | 52:35.45 | 8:32.17 | 236670 | 275086 8 | 61:07.62 | 8:40.35 | 275087 | 314121Track 1 Filename C:\MY RIPS\01 - Composition 156.wav Pre-gap length 0:00:02.00 Peak level 95.9 % Extraction speed 3.4 X Track quality 100.0 % Test CRC 14AE7F1F Copy CRC 14AE7F1F Accurately ripped (confidence 6) [D2F6E766] Copy OKTrack 2 Filename C:\MY RIPS\02 - Composition 157 (take 1).wav Pre-gap length 0:00:07.50 Peak level 94.2 % Extraction speed 3.5 X Track quality 99.9 % Test CRC C6A84C39 Copy CRC C6A84C39 Accurately ripped (confidence 6) [17F7300A] Copy OKTrack 3 Filename C:\MY RIPS\03 - Composition 152.wav Pre-gap length 0:00:03.10 Peak level 100.0 % Extraction speed 4.3 X Track quality 99.9 % Test CRC 3BA5A179 Copy CRC 3BA5A179 Accurately ripped (confidence 6) [4C6E0BED] Copy OKTrack 4 Filename C:\MY RIPS\04 - Composition 153.wav Pre-gap length 0:00:03.17 Peak level 86.9 % Extraction speed 5.3 X Track quality 100.0 % Test CRC 597094CA Copy CRC 597094CA Accurately ripped (confidence 6) [B3AEF640] Copy OKTrack 5 Filename C:\MY RIPS\05 - Composition 155.wav Pre-gap length 0:00:03.25 Peak level 100.0 % Extraction speed 5.4 X Track quality 100.0 % Test CRC 15885C54 Copy CRC 15885C54 Accurately ripped (confidence 6) [DF3C342C] Copy OKTrack 6 Filename C:\MY RIPS\06 - Composition 154.wav Pre-gap length 0:00:05.45 Peak level 97.2 % Extraction speed 5.8 X Track quality 100.0 % Test CRC 4F965C5B Copy CRC 4F965C5B Accurately ripped (confidence 6) [55F1369D] Copy OKTrack 7 Filename C:\MY RIPS\07 - Composition 40A.wav Pre-gap length 0:00:03.18 Peak level 87.6 % Extraction speed 6.2 X Track quality 100.0 % Test CRC 64D706E5 Copy CRC 64D706E5 Accurately ripped (confidence 4) [E1B2B387] Copy OKTrack 8 Filename C:\MY RIPS\08 - Composition 157 (take 2).wav Pre-gap length 0:00:03.42 Peak level 67.4 % Extraction speed 6.6 X Track quality 100.0 % Test CRC 6C73E782 Copy CRC 6C73E782 Accurately ripped (confidence 5) [3120CD91] Copy OKAll tracks accurately rippedNo errors occurredEnd of status report==== Log checksum 3154D537E3DEDD498C6E7BEB74A4D06E3E6DC919174E80733080DAF743F1E4EA ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DISCID 6F105C08REM COMMENT "ExactAudioCopy v1.0b1"PERFORMER "Anthony Braxton"TITLE "Duets: Hamburg 1991"FILE "01 - Composition 156.wav" WAVE TRACK 01 AUDIO TITLE "Composition 156" PERFORMER "Anthony Braxton" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Composition 157 (take 1)" PERFORMER "Anthony Braxton" INDEX 00 08:41:27FILE "02 - Composition 157 (take 1).wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Composition 152" PERFORMER "Anthony Braxton" INDEX 00 07:05:43FILE "03 - Composition 152.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Composition 153" PERFORMER "Anthony Braxton" INDEX 00 10:51:45FILE "04 - Composition 153.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Composition 155" PERFORMER "Anthony Braxton" INDEX 00 12:23:48FILE "05 - Composition 155.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Composition 154" PERFORMER "Anthony Braxton" INDEX 00 05:54:67FILE "06 - Composition 154.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Composition 40A" PERFORMER "Anthony Braxton" INDEX 00 07:12:25FILE "07 - Composition 40A.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Composition 157 (take 2)" PERFORMER "Anthony Braxton" INDEX 00 08:28:50FILE "08 - Composition 157 (take 2).wav" WAVE INDEX 01 00:00:00  InfoRecorded in a Hamburg studio, these eight compositions are marked by the "new" distinction in that they were written for duet with a double bass, with the exception of one, "40a," which is hardly new but has never before been recorded; it was not scored specifically for duet. The eight works here are from Braxton's 150 series, and are numbered "152" through "157" with "157" being recorded twice. Aside form the bass role, Braxton himself plays everything from alto to contrabasse clarinet and flute. These compositions are critical in understanding the structure of Braxton's middle to late work. These pieces are all based on the idea that melodic infrastructure comes from both sides of a rhythmic equation, and that the extension of harmony and timbre are given utterance as a result of their entwined, not separate voices. Consequently for a large part of these proceedings, Mr. Wilson uses a bow and does splendid arco work, offering the significant color differentiations Braxton requires for his own lyric statements. When Wilson plays staccato and pizzicato he reflects the ever-shifting rhythmic orientation of Braxton's tonal world (both takes of "157"). For the most part, though, what sets these works apart from much of Braxton's sizeable canon is their knotty melodic structures, which involve various breathing techniques to it all pull off. The long note, cross tone approach displayed on "155" for bass clarinet, as it moves the melodic knot down the register, and as the breathing of the performer scales itself down, is one example, and the circular breathing in "157" is another. There are many other knotty vocabularies in the 150 series, where chromatic minimalism is interspersed with microtonal improvisation and even serial technique. This is a fascinating disc due in large part of Mr. Wilson's truly virtuoso playing of very difficult material, and for the rugged emotionalism Braxton puts into his own performance here.