(Ambient / Contemporary / Marimba) Christopher Swist - Whitewater - 2001, FLAC (image+.cue), lossless
Christopher Swist / Whitewater
Жанр: Ambient / Contemporary / Marimba
Страна-производитель диска: USA
Год издания: 2001
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 01:05:25
Источник (релизер): собственный диск
Наличие сканов в содержимом раздачи: да
Треклист:
1. Streamline
2. Rockslide
3. Four Scenes From a Gorge - Dawn
4. Four Scenes - the Whirlpool
5. Four Scenes - a Lonely Pond
6. Four Scenes - Whitewater
7. Transmissions From the Music Box
8. Centipede
9. Alphas in Stasis
Лог создания рипа
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
Отчёт EAC об извлечении, выполненном 10. августа 2012, 8:28
Christopher Swist / Whitewater
Дисковод: ASUS DRW-24B3ST Adapter: 1 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
---------------------------------------------------------------------
1 | 0:00.00 | 7:51.41 | 0 | 35365
2 | 7:51.41 | 8:20.74 | 35366 | 72939
3 | 16:12.40 | 4:41.14 | 72940 | 94028
4 | 20:53.54 | 3:55.21 | 94029 | 111674
5 | 24:49.00 | 6:24.63 | 111675 | 140537
6 | 31:13.63 | 3:23.63 | 140538 | 155825
7 | 34:37.51 | 13:55.68 | 155826 | 218518
8 | 48:33.44 | 9:07.70 | 218519 | 259613
9 | 57:41.39 | 7:58.61 | 259614 | 295524
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла E:\Christopher Swist - Whitewater.wav
Пиковый уровень 97.7 %
Качество диапазона 100.0 %
CRC теста 940F3BE0
CRC копии 940F3BE0
Копирование... OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 нет в базе данных
Трек 2 нет в базе данных
Трек 3 нет в базе данных
Трек 4 нет в базе данных
Трек 5 нет в базе данных
Трек 6 нет в базе данных
Трек 7 нет в базе данных
Трек 8 нет в базе данных
Трек 9 нет в базе данных
Ни одного трека нет в базе AccurateRip
Конец отчёта
Содержание индексной карты (.CUE)
REM GENRE Ambient
REM DATE 2001
REM DISCID 880F6409
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Christopher Swist"
TITLE "Whitewater"
FILE "Christopher Swist - Whitewater.flac" WAVE
TRACK 01 AUDIO
TITLE "Streamline"
PERFORMER "Christopher Swist"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Rockslide"
PERFORMER "Christopher Swist"
INDEX 00 07:49:55
INDEX 01 07:51:41
TRACK 03 AUDIO
TITLE "Four Scenes From a Gorge - Dawn"
PERFORMER "Christopher Swist"
INDEX 00 16:10:40
INDEX 01 16:12:40
TRACK 04 AUDIO
TITLE "Four Scenes - the Whirlpool"
PERFORMER "Christopher Swist"
INDEX 00 20:51:54
INDEX 01 20:53:54
TRACK 05 AUDIO
TITLE "Four Scenes - a Lonely Pond"
PERFORMER "Christopher Swist"
INDEX 00 24:47:00
INDEX 01 24:49:00
TRACK 06 AUDIO
TITLE "Four Scenes - Whitewater"
PERFORMER "Christopher Swist"
INDEX 00 31:11:63
INDEX 01 31:13:63
TRACK 07 AUDIO
TITLE "Transmissions From the Music Box"
PERFORMER "Christopher Swist"
INDEX 00 34:35:51
INDEX 01 34:37:51
TRACK 08 AUDIO
TITLE "Centipede"
PERFORMER "Christopher Swist"
INDEX 00 48:31:44
INDEX 01 48:33:44
TRACK 09 AUDIO
TITLE "Alphas in Stasis"
PERFORMER "Christopher Swist"
INDEX 00 57:40:09
INDEX 01 57:41:39
Лог проверки качества
Started at: iyoieoa, 10. 08. 2012. - 8:29.26
1 file found
1 -===- E:\Christopher Swist - Whitewater.flac
Conclusion: this track is CDDA with probability 100%
Finished at: iyoieoa, 10. 08. 2012. - 8:31.28 (operation time: 0:02.01)
Доп. информация: This contains explorations in texture for solo marimba and electro-acoustic soundscape. This balance of ancient and modern is technical yet meditative. "...has musicality, interest, and excellent sound." -Percussive Notes
More About Album
Official Site
Об исполнителе (группе)
Christopher Swist began playing the drum set at a very early age. As an undergraduate, he stayed in his hometown of Buffalo and holds a B.M. in Music Performance from SUNY-Buffalo. While at U.B. he won the 1996 Baird Concerto Competition and had his early marimba compositions published by Studio 4 Music/Alfred. Christopher moved to New England in 1997 where he received his M.M. in Music Performance from The Hartt School. He followed this with a second M.M. in Composition from Hartt. His primary percussion teachers were Jan Williams, Anthony Miranda, and Benjamin Toth. He had specialized study with Alexander Lepak (timpani), Luiz D’Anuniciação (Brazilian), Glen Velez (hand drums), and Johnny Almendra (Afro-Cuban). His composition instructors include Robert Carl, Ingram Marshall, Stephen Gryc, Kenneth Steen, and Jeffrey Stadelman. Mr. Swist is the principal percussionist of the New Britain Symphony. He has also played with: Hartford Symphony, Ridgefield Symphony, Waterbury Symphony, New Haven Symphony, Eastern Connecticut Symphony, Norwalk Symphony, Bridgeport Symphony, Opera Theater of Connecticut, New Britain Opera and numerous other groups throughout New England. He has performed with Joshua Bell, Midori, The Empire Brass and several other premier soloists on the symphonic circuit. He has collaborated with several modern dance organizations including: Full Force Dance Theater, The Wellspring Project, Connecticut Choreographers Forum, and Dance Connecticut. His solo CD “Whitewater” was released in 2001 and was funded through a grant from the Yvar Mikhashoff Trust for New Music. Christopher Swist has publications with Studio 4 Music, Keyboard Percussion Publications and Edition Svitzer. He also has an endorsement from Sabian, Ltd. Christopher has taught percussion, theory and composition at Keene State College since 2003. He also is on faculty at Holyoke Community College and the Hartt School Community Division. He was the percussion instructor at Bennington College from 1998-2002.
Об альбоме (сборнике)
Streamline is intended as a piece of relaxation and meditation. Using simple chord structures in A-B-A form, this format is realized by an unrelenting \"streamline\" of 16th-notes at various tempi. However the piece is less about structure and more about the texture created by the rosewood bars of the marimba. To be sure, it is both physically and spiritually idiomatic to the marimba.
Rockslide enhances the use of marimba ostinato as texture with computer sequenced sounds. The combination of these two forces results in an ambient sound despite the rapid movements of the mallets. Rockslide is obviously programmatic in conception with the ominous falling pebbles as well as huge sliding chord events on the computer part. However, a parallel meaning can be found in the title with the idea of a rock guitar sliding down to a power chord.
Four Scenes from a Gorge is much indebted to the atmosphere created by a well-reverberating marimba. The first movement is a chorale. The second draws inspiration from circular ostinati. The slow movement is an isolated air of solitude. The last movement is a rondo the recalls some of the second movement to reflect the rapids.
Transmissions from the Music Box was written in early 1997 for Craig Bitterman. The work employs a modal sonata-form structure using chromatic hexachords as well as the whole-tone scale. Instrumentation is chosen within the parameters of groups of refined metals, industrial metals, one/two sided skinned instruments and glass.
Centipede is another work based on ideas that focus on idiomatic technique. This was the first marimba solo written by Christopher Swist and reflects a young fresh attitude.
Alphas in Stasis was written as part of a recording/performance residency by Basso Bongo at the Hartt School in February of 2000. The piece uses the beginning material of every piece written by the composer (up to that time). Robert Black and Amy Knowles then placed these starting gestures in delay loops using a structured sketch realized by the composer. The sounds and textures were chosen by both the composer and performers.
Recorded at Evenfall Acoustics, Buffalo NY in June of 1997 Recorded and Mastered by Larry Swist \"Alphas in Stasis\" recorded at the Hartt School, Hartford CT in February of 2000 Recorded by Rebecca Wright -- Mastered by Larry Swist Graphic Design and Photography by Mark E. Smith
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