(Afro-Cuban Jazz, Vocal, Ethnic) [CD] Dayme Arocena - Cubafonia - 2017 [Japan Bonus Track Edition], FLAC (tracks+.cue), lossless
DAYMÉ AROCENA
CUBAFONÍA
Жанр: Afro-Cuban Jazz, Vocal, Ethnic
Страна-производитель диска: Japan
Год издания: 2017
Издатель: Brownswood Recordings/Beat Records
Номер по каталогу: BRC-541
Страна исполнителя: Cuba
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 43:53
Источник (релизер): спасибо thezabs
Наличие сканов: даТреклист:
01. Eleggua
02. La Rumba Me Llamo Yo
03. Lo Que Fue
04. Maybe Tomorrow
05. Negra Caridad
06. Mambo Na’ M à
07. Cómo
08. Todo Por Amor
09. Ángel
10. It’s Not Gonna Be Forever
11. Valentine
12. Yambu Improvisado
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016EAC extraction logfile from 10. March 2017, 20:04Daymé Arocena / CubafoniaUsed drive : PLEXTOR DVDR PX-891SAW Adapter: 1 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 48Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exeAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 3:08.61 | 0 | 14160 2 | 3:08.61 | 4:24.02 | 14161 | 33962 3 | 7:32.63 | 3:49.13 | 33963 | 51150 4 | 11:22.01 | 2:56.46 | 51151 | 64396 5 | 14:18.47 | 3:11.07 | 64397 | 78728 6 | 17:29.54 | 3:22.25 | 78729 | 93903 7 | 20:52.04 | 5:05.10 | 93904 | 116788 8 | 25:57.14 | 3:08.60 | 116789 | 130948 9 | 29:05.74 | 2:54.44 | 130949 | 144042 10 | 32:00.43 | 3:50.11 | 144043 | 161303 11 | 35:50.54 | 4:25.18 | 161304 | 181196 12 | 40:15.72 | 3:38.00 | 181197 | 197546Track 1 Filename D:\Rips\01 - Eleggua.wav Pre-gap length 0:00:02.00 Peak level 99.0 % Extraction speed 4.6 X Track quality 100.0 % Test CRC 8B20E08E Copy CRC 8B20E08E Track not present in AccurateRip database Copy OKTrack 2 Filename D:\Rips\02 - La Rumba Me Llamo Yo.wav Peak level 99.0 % Extraction speed 5.3 X Track quality 100.0 % Test CRC 18EAABE4 Copy CRC 18EAABE4 Track not present in AccurateRip database Copy OKTrack 3 Filename D:\Rips\03 - Lo Que Fue.wav Peak level 99.0 % Extraction speed 5.6 X Track quality 100.0 % Test CRC 60DF8D0E Copy CRC 60DF8D0E Track not present in AccurateRip database Copy OKTrack 4 Filename D:\Rips\04 - Maybe Tomorrow.wav Peak level 98.9 % Extraction speed 3.5 X Track quality 99.9 % Test CRC DA1CD8A0 Copy CRC DA1CD8A0 Track not present in AccurateRip database Copy OKTrack 5 Filename D:\Rips\05 - Negra Caridad.wav Peak level 98.9 % Extraction speed 6.1 X Track quality 100.0 % Test CRC B3E20C82 Copy CRC B3E20C82 Track not present in AccurateRip database Copy OKTrack 6 Filename D:\Rips\06 - Mambo Na' Mà.wav Peak level 99.0 % Extraction speed 6.4 X Track quality 100.0 % Test CRC 699B15B7 Copy CRC 699B15B7 Track not present in AccurateRip database Copy OKTrack 7 Filename D:\Rips\07 - Cómo.wav Peak level 98.9 % Extraction speed 5.2 X Track quality 99.9 % Test CRC 00B5FA62 Copy CRC 00B5FA62 Track not present in AccurateRip database Copy OKTrack 8 Filename D:\Rips\08 - Todo Por Amor.wav Peak level 98.9 % Extraction speed 7.0 X Track quality 100.0 % Test CRC 86B97546 Copy CRC 86B97546 Track not present in AccurateRip database Copy OKTrack 9 Filename D:\Rips\09 - Ángel.wav Peak level 98.8 % Extraction speed 4.4 X Track quality 99.9 % Test CRC D030211B Copy CRC D030211B Track not present in AccurateRip database Copy OKTrack 10 Filename D:\Rips\10 - It's Not Gonna Be Forever.wav Peak level 99.0 % Extraction speed 7.7 X Track quality 100.0 % Test CRC 011E85ED Copy CRC 011E85ED Track not present in AccurateRip database Copy OKTrack 11 Filename D:\Rips\11 - Valentine.wav Peak level 99.4 % Extraction speed 5.7 X Track quality 99.9 % Test CRC AA802A95 Copy CRC AA802A95 Track not present in AccurateRip database Copy OKTrack 12 Filename D:\Rips\12 - Yambu Improvisado.wav Peak level 98.8 % Extraction speed 8.1 X Track quality 100.0 % Test CRC 3B075EC7 Copy CRC 3B075EC7 Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report---- CUETools DB Plugin V2.1.6[CTDB TOCID: JnV7CmMl2RyO.yBy3ztFSNmzYcw-] disk not present in databaseSubmit result: JnV7CmMl2RyO.yBy3ztFSNmzYcw- has been uploaded==== Log checksum 96612121FFB4BAD22B70EA6D36FE279B52988579E323016799FF86EEE693C338 ====
Содержание индексной карты (.CUE)
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Об альбомеThe rise and rise of Daymé Arocena is quite the Cinderella story, sans the proverbial ‘glass slipper’. She performed for some time in Joaquin Betancourt’s big band and went on to create the all-girl band, Alami. In 2013 Arocena and Alami were performing at the Jazz Plaza Festival. Fairy Godmother and Canadian icon, “Havana” Jane Bunnett, and her producer and trumpet-playing husband, Larry Cramer heard her singing and with a wave of an invisible wand, Maqueque came into being with Bunnett fronting the sextet on soprano saxophone and flute, and Daymé Arocena on vocals. The band achieved near mythical status after just two discs and a global tour.Meanwhile, Gilles Peterson already had his eyes on her and snapped her up for his Brownswood Recordings. And the fairytale continues… The vivacious, go-getting and indefatigable Daymé Arocena, in addition to performing with Maqueque has since developed a burgeoning solo career, toured Europe and the USA with Brownswood and after a wonderful debut on the label with Nueva Era (Brownswood, 2015) she has released Cubafonía, an ambitious production that sling-shots her star into the world music stratosphere and it seems only a matter of time when she will be one of the most recognised Afro-Cuban singers on the planet. And when that happens, this disc will have had everything to do with it.Cubafonía is a lavish production. Gilles Peterson has not spared the horses on this venture. And Daymé Arocena has returned the favour many times over. She comes across at every turn as a veritable force of nature as her vivid illumination of the Afro-Cuban experience – from her happily crowded childhood home, to the ubiquitous Cuban comparsa; from the conservatoire to the infectious power of montuno, changüí, mambo and guaguancó, Daymé Arocena blows past Afro-Cuban horizons to create a sort of musical anthropography of her own. She has a powerful voice, virtually exploding in the lower registers.But she can also turn on the sensuous charm, which often brings the sheer poetry of her music to life as she free-wheels into a sweet upper range, reaching up for high notes, exquisitely, without sign of strain or wobble. Her phrasing too is magically rich and flexible. In short, her vocal colouring is incredibly fresh and young-sounding. There are eleven examples of this on Cubafonía from the husky invocation of “Eleggua” and “Mambo Na’ Mà’ to the glorious curtain call, “Valentine”. Her English repertoire is pitch-perfect and Latin inflections are barely audible. All told, this is a vocal performance that excels all expectation promised by her 2015 recording.Not surprisingly the extraordinary group pf musicians that support Daymé Arocena respond to her feisty performance with great gusto. The core group of pianist Jorge Luis Lagarza, bassist Gastón Joya and drummer Ruly Herrera are the lead-architects of the album’s sound as is percussionist Yaroldy Abreu. Add to that an incredibly sharp horn section, guitar and tres that together and separately raise the ornamental bar several notches. This album will give continuing pleasure and is sure to turn Jane Bunnett and Larry Cramer’s debutant into the belle of the ball. (Raul da Gama)
СоставСм. сканы либо здесь
Крутая дамочка! Не люблю я латину, потому что, на мой взгляд, делать её почти никто не умеет - альбомы страдают однообразием (в тяжелой форме). Здесь же Дайме не только как вокалистка выступает - она написала все композиции альбома, и каждая следующая не похожа на предыдущую, аранжировки великолепны, ну и поет задорно!