(Afro-Cuban Jazz, Contemporary Jazz, Jazz-Pop) Esperanza Spalding - Esperanza - 2008 (Japan Edition), FLAC (tracks+.cue), lossless

Esperanza Spalding - Esperanza Жанр: Afro-Cuban Jazz, Contemporary Jazz, Jazz-Pop Страна-производитель диска: Япония Год издания: 2008 Издатель (лейбл): Heads Up Номер по каталогу: HUCD-3140J Страна: США Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 73:16 Источник (релизер): JJKWCD (what) Наличие сканов в содержимом раздачи: нетТреклист: 01. Ponta de Areia (Nascimento-Brant) - 5:39 02. I Know You Know (Spalding) - 3:47 03. Fall In (Spalding) - 3:59 04. I Adore You (Spalding) - 7:25 05. Cuerpo y Alma (Body & Soul) (Heyman-Sour) - 8:02 06. She Got to You (Spalding) - 4:29 07. Precious (Spalding) - 4:25 08. Mela (Spalding) - 6:58 09. Love in Time (Spalding) - 5:47 10. Espera (Spalding) - 4:40 11. If That's True (Spalding) - 7:33 12. Samba em Preludio (De Moraes-Powell) - 5:11 13. Sunlight (Spalding) - 5:21Состав: Esperanza Spalding - electric bass, acoustic bass, vocals Leo Genovese - piano, Wurlitzer organ (#7), Rhodes (#10) Jamey Haddad - percussion Otis Brown - drums Horacio Hernandez - drums (#4,8) Ambrose Akinmusire - trumpet (#8,11) Donald Harrison - saxophone (#6,11) Gretchen Parlato - background vocals (#1,4)Recorded at Wellspring Sound, Acton, MA & Big Time Audio, Jonesborough, TN in 2007.  Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 20. August 2013, 19:22Esperanza Spalding / EsperanzaUsed drive : HL-DT-STDVDRAM GH24NS50 Adapter: 2 ID: 1Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 667Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : D:\Program Files\FLAC\flac.exeAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:38.45 | 0 | 25394 2 | 5:38.45 | 3:46.65 | 25395 | 42409 3 | 9:25.35 | 3:58.63 | 42410 | 60322 4 | 13:24.23 | 7:25.29 | 60323 | 93726 5 | 20:49.52 | 8:01.52 | 93727 | 129853 6 | 28:51.29 | 4:29.18 | 129854 | 150046 7 | 33:20.47 | 4:24.60 | 150047 | 169906 8 | 37:45.32 | 6:57.38 | 169907 | 201219 9 | 44:42.70 | 5:47.28 | 201220 | 227272 10 | 50:30.23 | 4:40.03 | 227273 | 248275 11 | 55:10.26 | 7:33.19 | 248276 | 282269 12 | 62:43.45 | 5:11.34 | 282270 | 305628 13 | 67:55.04 | 5:21.20 | 305629 | 329723Track 1 Filename D:\01 - Ponta de Areia.wav Pre-gap length 0:00:02.00 Peak level 98.5 % Extraction speed 1.2 X Track quality 100.0 % Test CRC F40B6286 Copy CRC F40B6286 Accurately ripped (confidence 6) [82B24921] (AR v2) Copy OKTrack 2 Filename D:\02 - I Know You Know.wav Pre-gap length 0:00:01.68 Peak level 90.9 % Extraction speed 1.3 X Track quality 100.0 % Test CRC 701687B6 Copy CRC 701687B6 Accurately ripped (confidence 6) [DE3CDDEE] (AR v2) Copy OKTrack 3 Filename D:\03 - Fall In.wav Pre-gap length 0:00:01.51 Peak level 68.2 % Extraction speed 1.4 X Track quality 100.0 % Test CRC 31C7DD82 Copy CRC 31C7DD82 Accurately ripped (confidence 6) [A3299072] (AR v2) Copy OKTrack 4 Filename D:\04 - I Adore You.wav Pre-gap length 0:00:08.12 Peak level 93.0 % Extraction speed 1.6 X Track quality 100.0 % Test CRC 8AC979BB Copy CRC 8AC979BB Accurately ripped (confidence 6) [DDEC4816] (AR v2) Copy OKTrack 5 Filename D:\05 - Cuerpo Y Alma (Body & Soul).wav Pre-gap length 0:00:01.55 Peak level 98.5 % Extraction speed 1.7 X Track quality 99.9 % Test CRC F52F80B8 Copy CRC F52F80B8 Accurately ripped (confidence 6) [8E68464A] (AR v2) Copy OKTrack 6 Filename D:\06 - She Got to You.wav Pre-gap length 0:00:00.74 Peak level 96.8 % Extraction speed 1.6 X Track quality 99.9 % Test CRC 85652C7F Copy CRC 85652C7F Accurately ripped (confidence 6) [BAEF26F3] (AR v2) Copy OKTrack 7 Filename D:\07 - Precious.wav Pre-gap length 0:00:01.23 Peak level 95.5 % Extraction speed 1.9 X Track quality 100.0 % Test CRC 718F0BBA Copy CRC 718F0BBA Accurately ripped (confidence 6) [37F33593] (AR v2) Copy OKTrack 8 Filename D:\08 - Mela.wav Pre-gap length 0:00:01.23 Peak level 95.0 % Extraction speed 2.1 X Track quality 100.0 % Test CRC 5EEE55CB Copy CRC 5EEE55CB Accurately ripped (confidence 6) [31561A64] (AR v2) Copy OKTrack 9 Filename D:\09 - Love in Time.wav Pre-gap length 0:00:01.26 Peak level 97.3 % Extraction speed 2.2 X Track quality 100.0 % Test CRC 85127160 Copy CRC 85127160 Accurately ripped (confidence 6) [9C0A5D00] (AR v2) Copy OKTrack 10 Filename D:\10 - Espera.wav Pre-gap length 0:00:01.61 Peak level 92.8 % Extraction speed 2.2 X Track quality 100.0 % Test CRC 81F754F2 Copy CRC 81F754F2 Accurately ripped (confidence 6) [34157832] (AR v2) Copy OKTrack 11 Filename D:\11 - If That's True.wav Pre-gap length 0:00:01.47 Peak level 98.5 % Extraction speed 2.4 X Track quality 100.0 % Test CRC 14FE5BF0 Copy CRC 14FE5BF0 Accurately ripped (confidence 6) [FF74F224] (AR v2) Copy OKTrack 12 Filename D:\12 - Samba Em Preludio.wav Pre-gap length 0:00:01.71 Peak level 54.0 % Extraction speed 2.4 X Track quality 100.0 % Test CRC 16C90FA3 Copy CRC 16C90FA3 Accurately ripped (confidence 6) [131E6CA3] (AR v2) Copy OKTrack 13 Filename D:\13 - Sunlight.wav Pre-gap length 0:00:01.67 Peak level 97.8 % Extraction speed 2.5 X Track quality 100.0 % Test CRC A8843B50 Copy CRC A8843B50 Accurately ripped (confidence 7) [54AD9267] (AR v2) Copy OKAll tracks accurately rippedNo errors occurredEnd of status report---- CUETools DB Plugin V2.1.3[CTDB TOCID: LIE3.C0dqzcSYLZ7SpfKZWbug7E-] found, Submit result: LIE3.C0dqzcSYLZ7SpfKZWbug7E- has been confirmed[f8280c4a] (3/4) Accurately ripped[6709406c] (1/4) No match==== Log checksum 31989F18CF8CE46E2C78C0F81B47B162C8CC67569720CE5C2CC83E9B9F0E675B ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 2008REM DISCID A1112C0DREM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Esperanza Spalding"TITLE "Esperanza"FILE "01 - Ponta de Areia.wav" WAVE TRACK 01 AUDIO TITLE "Ponta de Areia" PERFORMER "Esperanza Spalding" ISRC USHU20814001 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "I Know You Know" PERFORMER "Esperanza Spalding" ISRC USHU20814002 INDEX 00 05:36:52FILE "02 - I Know You Know.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Fall In" PERFORMER "Esperanza Spalding" ISRC USHU20814003 INDEX 00 03:45:14FILE "03 - Fall In.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "I Adore You" PERFORMER "Esperanza Spalding" ISRC USHU20814004 INDEX 00 03:50:51FILE "04 - I Adore You.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Cuerpo y Alma (Body & Soul)" PERFORMER "Esperanza Spalding" ISRC USHU20814005 INDEX 00 07:23:49FILE "05 - Cuerpo y Alma (Body & Soul).wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "She Got to You" PERFORMER "Esperanza Spalding" ISRC USHU20814006 INDEX 00 08:00:53FILE "06 - She Got to You.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Precious" PERFORMER "Esperanza Spalding" ISRC USHU20814007 INDEX 00 04:27:70FILE "07 - Precious.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Mela" PERFORMER "Esperanza Spalding" ISRC USHU20814008 INDEX 00 04:23:37FILE "08 - Mela.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Love in Time" PERFORMER "Esperanza Spalding" ISRC USHU20814009 INDEX 00 06:56:12FILE "09 - Love in Time.wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Espera" PERFORMER "Esperanza Spalding" ISRC USHU20814010 INDEX 00 05:45:42FILE "10 - Espera.wav" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "If That's True" PERFORMER "Esperanza Spalding" ISRC USHU20814011 INDEX 00 04:38:31FILE "11 - If That's True.wav" WAVE INDEX 01 00:00:00 TRACK 12 AUDIO TITLE "Samba em Preludio" PERFORMER "Esperanza Spalding" ISRC USHU20814012 INDEX 00 07:31:23FILE "12 - Samba em Preludio.wav" WAVE INDEX 01 00:00:00 TRACK 13 AUDIO TITLE "Sunlight" PERFORMER "Esperanza Spalding" ISRC USHU20814015 INDEX 00 05:09:42FILE "13 - Sunlight.wav" WAVE INDEX 01 00:00:00  Отчет CUETools [CUETools log; Date: 10.11.2013 13:04:56; Version: 2.1.4][CTDB TOCID: LIE3.C0dqzcSYLZ7SpfKZWbug7E-] found.Track | CTDB Status 1 | (6/6) Accurately ripped 2 | (6/6) Accurately ripped 3 | (6/6) Accurately ripped 4 | (6/6) Accurately ripped 5 | (6/6) Accurately ripped 6 | (6/6) Accurately ripped 7 | (6/6) Accurately ripped 8 | (6/6) Accurately ripped 9 | (6/6) Accurately ripped 10 | (5/6) Accurately ripped 11 | (5/6) Accurately ripped 12 | (6/6) Accurately ripped 13 | (6/6) Accurately ripped[AccurateRip ID: 002293c7-015ceff4-a1112c0d] found.Track [ CRC | V2 ] Status 01 [abb3aa5c|82b24921] (07+08/15) Accurately ripped 02 [9e78a6a1|de3cddee] (07+08/15) Accurately ripped 03 [51bafb86|a3299072] (07+08/15) Accurately ripped 04 [9443c2a8|ddec4816] (06+08/14) Accurately ripped 05 [4e4b67df|8e68464a] (07+08/15) Accurately ripped 06 [d6e0640e|baef26f3] (07+08/15) Accurately ripped 07 [3fc5705e|37f33593] (07+08/15) Accurately ripped 08 [15ddd31b|31561a64] (06+08/14) Accurately ripped 09 [c20dbe45|9c0a5d00] (07+08/15) Accurately ripped 10 [b6dbb057|34157832] (07+08/15) Accurately ripped 11 [503f951a|ff74f224] (07+08/15) Accurately ripped 12 [63acee71|131e6ca3] (06+08/14) Accurately ripped 13 [16d26947|54ad9267] (07+09/16) Accurately rippedTrack Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 98,5 [CF8A933A] [DCAD8A99] 01 98,5 [F40B6286] [3945C119] CRC32 02 90,9 [701687B6] [CA56B50D] CRC32 03 68,2 [31C7DD82] [74F6F54C] CRC32 04 93,0 [8AC979BB] [58F28967] CRC32 05 98,5 [F52F80B8] [F6376E37] CRC32 06 96,8 [85652C7F] [2B1194F3] CRC32 07 95,5 [718F0BBA] [19744AC3] CRC32 08 95,0 [5EEE55CB] [5DDDBA79] CRC32 09 97,3 [85127160] [7556EF8E] CRC32 10 92,8 [81F754F2] [2E655E22] CRC32 11 98,5 [14FE5BF0] [1211D7B4] CRC32 12 54,0 [16C90FA3] [842C4036] CRC32 13 97,8 [A8843B50] [9BEE0301] CRC32  Review by Thom JurekBassist, vocalist, and composer Esperanza Spalding's eponymous release on Heads Up International is touted on the Concord Label Group's website as her debut recording. This is patently untrue. In fact, if it weren't for her actual debut , 2006's Junjo on Spain's Ayva imprint, this set may not have existed at all. Junjo showcased Spalding as a leader, playing in an acoustic trio with pianist Aruan Ortiz and drummer Francisco Mela singing wordlessly over bubbling Latin and Afro-Cuban melodies and rhythms. Though written by Brazilian legend Milton Nasciemento and featuring backing vocalists and additional percussion to the bass, piano, and drum format, Esperanza's opening track, "Ponta De Areia" resembles the sound and M.O. of the earlier album quite a bit. This is on purpose, as Spalding simply nods to one of the many places she comes from musically. The track, with its languid, nursery rhyme-like melody and beautifully understated instrumental accompaniment, gently opens the listener to an aural experience that's quite unlike anything else out there. Spalding sings in three languages here -- English, Spanish, and Portuguese -- she plays bass, does the arranging, and acts as her own producer on this wildly diverse and exceptionally well-executed set. How does a 23-year-old get all that control? Simple: she's a prodigy; she is a seasoned session player (she's worked with Joe Lovano, Pat Metheny, and Patti Austin to name just three), and she's a faculty member at the Berklee College of Music. The ambition on display on Esperanza is not blind; it's deeply intuitive, and her focus brings out the adventure on the album in all the right ways. By a lesser musician, even attempting something like this would have been disastrous. A core band consisting of pianist Leo Genovese, percussionist Jamey Haddad, and drummer Otis Brown backs Spalding. She follows the Nasciemento cut with her own fingerpopping midtempo ballad "I Know You Know," where her crystal clear contralto walks a phrasing tightrope between near scat, classic jazz, and Latin soul singing. The layers of hand percussion and knotty pianism fill the middle as her bassline and drums hold down a constant skittering thrum for the lyrics to balance on. But she can write and sing straight ballads as well. "Fall In," a seemingly simple duet where her voice over Genovese's piano are the only ornaments, is a stellar example and also displays a very sophisticated and slippery sense of wordcraft and a gorgeous melodic sensibility. "I Adore You," featuring Horacio "El Negro" Hernandez in one of his two appearances on drums, offers another example of Spalding's wordless vocalizing; it is a popping Brazilian samba-cum-rhumba with a snappy backing chorus of Brown, Gretchen Parlato, and Theresa Perez. They help her move the smoking piano and the shuffling, time-shifting drums of Hernandez on the choruses. Spalding's bass part here is anything but basic, it's startling in its rhythmic and lyric invention as it adds another harmonic counterpart to the piano and percussive textures. New Orleans saxophonist Donald Harrison performs in one of his two guest spots on the provocative and sassy jazz tune "She Got to You." With a quick, even-burning tempo, there are traces of Betty Carter, Ella Fitzgerald, and even Blossom Dearie in Spalding's phrasing. For all of the hard-driving percussion and the track's boppish tempo, it is wonderfully accessible. "Precious," played with her trio (including some nice Rhodes work by Genovese) is like a mirror image; it's lithe, new-soul melody line flirts with jazz in the arrangement but stays on the pop side of the fence. If radio would get behind this it would be a monster. "Mela" is a wailing, post-bop instrumental with Hernandez on drums and guest Ambrose Akinmusire on trumpet. Check Spalding's bass solo here, it, like the tune, is a burner. In sum, Esperanza sounds like the work of a much older, more experienced player, singer, and songwriter. Spalding not only has these gifts in natural abundance but is disciplined in her execution as well. On this recording she seeks to widen her musical adventure at every turn, but she does it with such with taste, refinement, and a playful sense of humor that virtually anyone who encounters this offering will find not only much to delight in, but plenty to be amazed by as well.