(Afro-Cuban Jazz, Bop, Soundtrack) Dizzy Gillespie - The Winter in Lisbon - 1990, FLAC (image+.cue), lossless
Dizzy Gillespie - The Winter in Lisbon
Жанр: Afro-Cuban Jazz, Bop, Soundtrack
Страна-производитель диска: Аргентина
Год издания: 2004
Издатель (лейбл): Milan Entertainment
Номер по каталогу: 5913-01700-9
Страна: США
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 56:37
Источник (релизер): диск из моей коллекции
Наличие сканов в содержимом раздачи: даТреклист:
01. Opening Theme (Fishman) - 3:29
02. San Sebastian (Gillespie) - 5:56
03. Lucretia's Theme (Perez) - 3:38
04. Magic Summer (vocal version) (Fishman-Jiles) - 5:27
05. Isthmus (Gillespie) - 8:13
06. Magic Summer (orchestral version) (Fishman) - 2:30
07. Lisbon (Gillespie) - 6:10
08. Magic Summer (piano version) (Fishman) - 5:00
09. Burma (Gillespie-Perez) - 8:09
10. Bill's Song (Gillespie) - 2:17
11. Final Theme (Fishman) - 5:49Состав:
Dizzy Gillespie - trumpet
Danilo Perez - piano
George Mraz - bass
Grady Tate - drums
Wint Garvey, Sandra Billingslea - violin
Richard Spencer - viola
Akua Dixon - cello
Jerry Peel, Bob Carlisle, Robby Routch, Russ Rizner - French horn
Tony Kadleck - trumpet
Mario Rivera - soprano saxophone, flute
Leola Jiles - vocalsRecorded in New York in August 1990.
Лог создания рипа
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Содержание индексной карты (.CUE)
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Отчет CUETools
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Review by Ollie BivensRecorded in '90, three years before Dizzy Gillespie's death at age 76, this reissued album was a soundtrack for a movie of the same name. Never released in the US, the film shows the jazz legend in the role of a famous jazz musician. The compositions are by Gillespie and executive producer Charles Fishman, along with a then-unknown young Panamanian pianist, Danilo Perez. Arrangements are by Slide Hampton.
As compositions some of the tunes stand on their own, independent of the movie, as well-crafted works (Fishman's ballad "Magic Summer," in particular). First performed with vocals by a husky-voiced, classically-trained Leola Jiles, and then orchestrally and finally solo by Perez, the relaxed, melodic song can easily become part of any jazz musician's repertoire. Gillespie's "San Sebastian" is a Latin ditty with shifting tempos highlighted by a nimble-fingered Perez. On "Lisbon," the pianist once again displays his talent on a ballad with thoughtful, delicate work on the eighty-eights. Gillespie's "Isthmus" is a catchy bop number that surprisingly has not seen much of a life past this album.
Gillespie's heyday was in the '40s and '50s. He helped revolutionize jazz music with the creation of bebop and Afro-Cuban jazz. As demonstrated on this release, however, by the '80s his famous chops had significantly diminished. He does not play on all the tracks and when he does, his sound is frail and short-winded. The glue that holds the record together, though, is Perez, one of the most talented pianists in jazz, both in his own projects and in his work with the acclaimed Wayne Shorter Quartet.