(ACT, Jazz-Rock, Contemporary Jazz, Fusion, Guitar Jazz) [CD] Arne Jansen - The Sleep of Reason - Ode to Goya - 2013, FLAC (tracks+.cue), lossless

Arne Jansen The Sleep of Reason Ode to Goya Жанр: ACT, Jazz-Rock, Contemporary Jazz, Fusion, Guitar Jazz Носитель: CD Страна-производитель диска (релиза): Germany Год издания: 2013 Издатель (лейбл): ACT Music Номер по каталогу: ACT 9539-2 Страна исполнителя (группы): Germany Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 45:37 Источник (релизер): what.cd (Dewcey) Наличие сканов в содержимом раздачи: да Треклист: 01. Still Learning (Arne Jansen) 06:05 02. Rise & Fall (Arne Jansen) 05:06 03. Love Is Blindness (Adam Clayton, David Evans, Paul Hewson, Laurence Mullen) 05:56 04. Golden (Jeff Beal) 02:10 05. The Great He Goat (Arne Jansen) 02:52 06. Pilgrimage (Arne Jansen) 02:52 07. San Antonio (Arne Jansen) 02:59 08. Divina (Arne Jansen) 05:22 09. Tauromaquia (Arne Jansen) 03:57 10. Presentiments (Of What Must Come To Pass) (Arne Jansen) 01:14 11. Brothers In Arms (Mark Knopfler) 06:52  Лог создания рипа Exact Audio Copy V1.1 from 23. June 2015EAC extraction logfile from 12. January 2016, 17:42Arne Jansen / The Sleep of Reason 'Ode to Goya'Used drive : HL-DT-STDVD-ROM GDRH20N Adapter: 1 ID: 1Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 102Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exeAdditional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 6:07.58 | 0 | 27582 2 | 6:07.58 | 5:08.32 | 27583 | 50714 3 | 11:16.15 | 5:58.39 | 50715 | 77603 4 | 17:14.54 | 2:12.59 | 77604 | 87562 5 | 19:27.38 | 6:14.49 | 87563 | 115661 6 | 25:42.12 | 5:15.13 | 115662 | 139299 7 | 30:57.25 | 3:01.24 | 139300 | 152898 8 | 33:58.49 | 5:24.47 | 152899 | 177245 9 | 39:23.21 | 3:59.44 | 177246 | 195214 10 | 43:22.65 | 1:15.38 | 195215 | 200877 11 | 44:38.28 | 6:52.24 | 200878 | 231801Track 1 Filename D:\01 - Still Learning.wav Pre-gap length 0:00:02.00 Peak level 95.5 % Extraction speed 1.4 X Track quality 100.0 % Test CRC 8FCC1258 Copy CRC 8FCC1258 Accurately ripped (confidence 23) [FF54D6E6] (AR v2) Copy OKTrack 2 Filename D:\02 - Rise & Fall.wav Peak level 95.6 % Extraction speed 1.4 X Track quality 99.9 % Test CRC 8030D5DE Copy CRC 8030D5DE Accurately ripped (confidence 23) [832576A2] (AR v2) Copy OKTrack 3 Filename D:\03 - Love Is Blindness.wav Peak level 95.6 % Extraction speed 1.8 X Track quality 100.0 % Test CRC D13DDDF3 Copy CRC D13DDDF3 Accurately ripped (confidence 23) [532220D1] (AR v2) Copy OKTrack 4 Filename D:\04 - Golden.wav Peak level 55.9 % Extraction speed 1.3 X Track quality 99.9 % Test CRC 46AFF92E Copy CRC 46AFF92E Accurately ripped (confidence 23) [6DA1168C] (AR v2) Copy OKTrack 5 Filename D:\05 - The Great He-Goat.wav Peak level 95.6 % Extraction speed 2.0 X Track quality 100.0 % Test CRC B1D65FA7 Copy CRC B1D65FA7 Accurately ripped (confidence 23) [AC12BE7F] (AR v2) Copy OKTrack 6 Filename D:\06 - Pilgrimage.wav Peak level 95.6 % Extraction speed 2.1 X Track quality 100.0 % Test CRC C47B60F9 Copy CRC C47B60F9 Accurately ripped (confidence 23) [C886CFF4] (AR v2) Copy OKTrack 7 Filename D:\07 - San Antonio.wav Peak level 59.0 % Extraction speed 2.0 X Track quality 100.0 % Test CRC 3669FC94 Copy CRC 3669FC94 Accurately ripped (confidence 23) [670DE5F7] (AR v2) Copy OKTrack 8 Filename D:\08 - Divina.wav Peak level 95.6 % Extraction speed 2.3 X Track quality 100.0 % Test CRC 849B613E Copy CRC 849B613E Accurately ripped (confidence 23) [8B773910] (AR v2) Copy OKTrack 9 Filename D:\09 - Tauromaquia.wav Peak level 95.6 % Extraction speed 2.3 X Track quality 100.0 % Test CRC 9FD78DEF Copy CRC 9FD78DEF Accurately ripped (confidence 23) [443DBA80] (AR v2) Copy OKTrack 10 Filename D:\10 - Presentiments (Of What Must Come To Pass).wav Peak level 28.6 % Extraction speed 1.8 X Track quality 100.0 % Test CRC 6A7B16D5 Copy CRC 6A7B16D5 Accurately ripped (confidence 23) [635F7084] (AR v2) Copy OKTrack 11 Filename D:\11 - Brothers In Arms.wav Peak level 95.5 % Extraction speed 2.4 X Track quality 99.9 % Test CRC D99CF0BB Copy CRC D99CF0BB Accurately ripped (confidence 22) [CA4067DA] (AR v2) Copy OKAll tracks accurately rippedNo errors occurredEnd of status report---- CUETools DB Plugin V2.1.6[CTDB TOCID: KNWwf4V0w3GBKDL7LpAJYzwAAC0-] foundSubmit result: KNWwf4V0w3GBKDL7LpAJYzwAAC0- has been confirmedTrack | CTDB Status 1 | (20/21) Accurately ripped 2 | (21/21) Accurately ripped 3 | (21/21) Accurately ripped 4 | (21/21) Accurately ripped 5 | (21/21) Accurately ripped 6 | (21/21) Accurately ripped 7 | (21/21) Accurately ripped 8 | (21/21) Accurately ripped 9 | (21/21) Accurately ripped 10 | (21/21) Accurately ripped 11 | (19/21) Accurately ripped==== Log checksum 6A82E0DBB4F35D33F7F464ADAF882972A7B6F670842E1632B41D3C79F18E5282 ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 2013REM DISCID 9B0C120BREM COMMENT "ExactAudioCopy v1.1"PERFORMER "Arne Jansen"TITLE "The Sleep of Reason 'Ode to Goya'"FILE "01 - Still Learning.wav" WAVE TRACK 01 AUDIO TITLE "Still Learning" PERFORMER "Arne Jansen" ISRC DEA891300200 INDEX 01 00:00:00FILE "02 - Rise & Fall.wav" WAVE TRACK 02 AUDIO TITLE "Rise & Fall" PERFORMER "Arne Jansen" ISRC DEA891300201 INDEX 01 00:00:00FILE "03 - Love Is Blindness.wav" WAVE TRACK 03 AUDIO TITLE "Love Is Blindness" PERFORMER "Arne Jansen" ISRC DEA891300202 INDEX 01 00:00:00FILE "04 - Golden.wav" WAVE TRACK 04 AUDIO TITLE "Golden" PERFORMER "Arne Jansen" ISRC DEA891300203 INDEX 01 00:00:00FILE "05 - The Great He-Goat.wav" WAVE TRACK 05 AUDIO TITLE "The Great He-Goat" PERFORMER "Arne Jansen" ISRC DEA891300204 INDEX 01 00:00:00FILE "06 - Pilgrimage.wav" WAVE TRACK 06 AUDIO TITLE "Pilgrimage" PERFORMER "Arne Jansen" ISRC DEA891300205 INDEX 01 00:00:00FILE "07 - San Antonio.wav" WAVE TRACK 07 AUDIO TITLE "San Antonio" PERFORMER "Arne Jansen" ISRC DEA891300206 INDEX 01 00:00:00FILE "08 - Divina.wav" WAVE TRACK 08 AUDIO TITLE "Divina" PERFORMER "Arne Jansen" ISRC DEA891300207 INDEX 01 00:00:00FILE "09 - Tauromaquia.wav" WAVE TRACK 09 AUDIO TITLE "Tauromaquia" PERFORMER "Arne Jansen" ISRC DEA891300208 INDEX 01 00:00:00FILE "10 - Presentiments (Of What Must Come To Pass).wav" WAVE TRACK 10 AUDIO TITLE "Presentiments (Of What Must Come To Pass)" PERFORMER "Arne Jansen" ISRC DEA891300209 INDEX 01 00:00:00FILE "11 - Brothers In Arms.wav" WAVE TRACK 11 AUDIO TITLE "Brothers In Arms" PERFORMER "Arne Jansen" ISRC DEA891300210 INDEX 01 00:00:00  Об альбоме (сборнике)If you've ever heard the Berlin guitarist Arne Jansen, you'll know how difficult it is to forget his special sound. That passionate rummaging around in the warm diversity of the electric guitar, where bashful understatement mixes with playful sensuality. The humaneness become sound that always searches for what is special in the commonplace, exudes serenity and yet never itself comes to rest because its quest never ceases.Originally from Flensburg, Jansen moved to Berlin in 1996 to study jazz guitar at the University of the Arts until 2001. In workshops with Pat Metheny, John Abercrombie, Kurt Rosenwinkel and Philip Catherine he honed his craft and was soon playing alongside stars like Gitte Haenning, Tim Fischer and Katja Riemann. In the bands Jazzanova and, since 2010, the Nils Wülker Group, Jansen also attracted a lot of attention, but the centre of his creative universe is his own trio, with which he has released two critically acclaimed albums.Now, with his third album, his ACT debut "The Sleep Of Reason", Jansen again tells a very personal story. It is a collection of pieces about the Spanish painter Francisco Goya, who began his artistic career as a celebrated court painter, and who in the course of his long life transformed into a maverick visionary whose fateful influence on art cannot be overestimated, even 200 years after his death. On the contrary, Goya is becoming ever more contemporary, but Jansen wasn't thinking about the Spaniard's art-historical significance when he set out to translate Goya's visual imagery into sound. The initial spark for the album was a personal encounter. When playing a concert a few years ago in Madrid, Jansen took the time to visit the famed Prado art gallery. As he was just about to leave his glance fell upon Goya's Black Paintings. In particular the famous "Witches' Sabbath" and "A Pilgrimage to San Isidro", with their contorted faces and horrified eyes, left such a lasting impression on him that he speaks of this moment as the most intimate experience with art in his whole life. He knew immediately that that subject and that man would never let go of him, and back in Berlin he began occupying himself intensively with Goya. A veritable flood of ideas galvanised his composing quill into action, culminating in his album "The Sleep Of Reason".Jansen avoids simply delivering a soundtrack to Goya paintings as it is more about the feelings these works provoked in him. Although he did install some Goya reproductions in the studio during the production, what he does much more is enter a dialogue with the artist held over the distance of centuries, responding to the paintings with the tools and intentions of his own chosen language.He encounters the Spaniard from the standpoint of a modern-day German musician, who has no need of Hispanisms to penetrate the imagery. "The thing that fascinates me about Goya is that throughout the course of his life he continually closes in on what he considers to be the essence of being human," says Jansen. "He was always very honest with himself, and to do that justice, I also had to be honest with myself, and inserting Spanish influences wouldn't have been truthful." Instead he mixes in sound imagery from jazz and rock hymns, crowned by two cover versions of U2's "Love Is Blindness" and Brothers In Arms" by Dire Straits. Neither piece has a direct causal relationship to Goya, but they had a formative influence on Jansen's musical resumé and they fit in organically with the conceptual themes of the great Spaniard.Goya was of course a loner, but Jansen looked for a number of allies to help him exploit the spectrum of colours as fully as possible. He began developing and building on the tracks in his trio with drummer Eric Schaefer and bassist Andreas Edelmann, but he soon noticed that something was missing. Structural ideas reached out like Goya's chimeras. What were originally improvisations had to be refined. Forms that had already manifested themselves demanded new borders time and time again. Jansen went to Hamburg to record additional tracks with the keyboard explorer Friedrich Paravicini, who contributed not only a Hammond organ, cembalo, vibraphone and cello, but also the magical tones of the Ondes Martenot, a prehistoric electronic keyboard. But the sounded needed even more life: cellist Stephan Braun was recruited, and one track emerged in a duet with trumpeter Nils Wülker, whom Jansen has collaborated with for many years now. Co-producer Axel Reinemer, well known from the Berlin jazz producing guerrilla Jazzanova, also had a major influence on the final sound, spending more time in the studio with Jansen looking for the right textures and sounds than the trio itself in the original recording sessions.What results is a complex masterwork that needn't shy comparison with the painted originals because it neither copies them nor comments on them, but allows the affectionately brutal fascination that Goya's paintings exercise on the keen spirit of the 21st century to breathe musically. Goya's struggles – that becomes more than clear in this music – but also his fulfilment are still relevant to this day. Arne Jansen is a great contemporary sound-painter.  СоставArne Jansen - electric & acoustic guitars, upright piano on 10 Andreas Edelmann - bass Eric Schaefer - drums Friedrich Paravicini - Hammond organ, keys, cello, vibraphone Stephan Braun - cello on 01 & 03 Nils Wülker - flugelhorn on 07