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2004 Joe Kap Organ Trio - Street Noise {Severn CD 0024} [CD]

1 Street Noise, Pt. 1 2 Myrtle Avenue Street Crawl 3 Cold Chill 4 Sleeping on the Job 5 Eldorado 6 Mad Scientist 7 It's Alright With Me 8 Try It Baby Joe Kap TRY IT BABY Lyrics 9 Like Water 10 Mister Heid 11 Street Noise, Pt. 2 12 Neurosis

Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 4. December 2013, 14:13 The Joe Kap Organ Trio / Street Noise Used drive : ATAPI DVD A DH20A4P Adapter: 2 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 896 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 0:22.20 | 0 | 1669 2 | 0:22.20 | 4:43.30 | 1670 | 22924 3 | 5:05.50 | 6:23.70 | 22925 | 51719 4 | 11:29.45 | 7:40.37 | 51720 | 86256 5 | 19:10.07 | 7:20.14 | 86257 | 119270 6 | 26:30.21 | 6:28.19 | 119271 | 148389 7 | 32:58.40 | 6:15.19 | 148390 | 176533 8 | 39:13.59 | 4:46.29 | 176534 | 198012 9 | 44:00.13 | 4:59.46 | 198013 | 220483 10 | 48:59.59 | 4:27.68 | 220484 | 240576 11 | 53:27.52 | 3:24.67 | 240577 | 255943 12 | 56:52.44 | 6:45.28 | 255944 | 286346 Track 1 Filename D:\Music\Jazz\Joe Kap Organ Trio - 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Доп. информация: http://www.youtube.com/watch?v=2u7qF5Yu4VU

Об исполнителе (группе) Joe Kaplowitz, jazz pianist Joe Kaplowitz is a versatile jazz pianist, jazz organist and composer who spent most of his youth growing up in the Washington DC area. He began playing the piano at age 7 and was playing piano and tuba professionally by 15. In his youth Joe was a devoted student of his parent’s record collection and was inspired by the music of Thelonious Monk, Bill Evans, Charles Mingus and many other great Jazz musicians. In 1995 he completed his degree in music from Youngstown State University in Youngstown, Ohio. Joe remained in the northeastern Ohio region for several years and performed regularly with his own trio and was a first call pianist in the area. In 1996 Joe began to play the Hammond B3 organ and has been working to find new sounds and to use the instrument in new musical settings. One such setting is a duo with New York percussionist Phil Kester in which musical ideas from around the planet are being infused with improvisation. Joe has returned to live in the Washington DC area and has one piano trio recording, ‘Trio Construction’. From 2006 he live in Rijeka, Croatia. Contact Joe at joekap@earthlink.net Joe Kaplowitz, dipl.glazbenik JOE KAPLOWITZ se profesionalno počinje baviti glazbom sa 15 godina u Washington-u, SAD. Završava studij klavira, tube i kompozicije na Youngstown State University-u 1995-te godine. CIJELA BIOGRAFIJA: Od tada svira sa prepoznatljivim imenima američke blues i jazz scene: Eddie Daniels, James Moody, Ernie Krivda, Greg Bandy, Randy Jonston, Wycliff Gordan, Ralph Bowen, and Sean Jones. Joe je također nastupao sa David “Fathead” Newman-om i blues legendom Koko Taylor i Lucky Peterson-om. Nakon 1999-te g., Joe predvodi bendove koji nastupaju u Bijeloj Kući, te Blues Alley, The Knitting Factory, i The House of Blues. Od 2002 do 2004 Joe živi u New York-u, gdje osniva Joe Kap Organ Trio (CD uradak: Joe Kap Organ Trio – Street Noise – Severn Records – 2004) i nastupa u mnogim poznatim mjestima te održava dugotrajnu suradnju s trubačom Mark Rapp-om. Također nastupa s imanima poput Liberty Ellman, Avi Rothbard, Abraham Burton i Wess Andreson, Mark Ferber, Kyle Struve i Kim Thompson. 2006 seli se u Hrvatsku gdje nastupa s poznatim glazbenicima poput: Tamara Obrovac (Transhistria Electric – Neću više jazz kantat – Aquarius Records – 2009), Josipa Lisac (gost izvođač na Živim po svome – Croatia Records – 2009), Elvis Stanić (Power trio band), Saša Nestorović, Davor Križić, Big Band HRT, Gašper Bertončelj, Kruno Levačić, Igor Lumpert, Klemens Marktl, vokalna skupina Rivers (Veselje ti navjesćujem – Aquarius records – 2008), Tonči Grabušić (LeKAP QUARTET – Love me or leave me, Dancing Bear – 2010). Об альбоме (сборнике) By Owen Cordle - JazzTimes The sonic potential of the Hammond B3 organ fascinates Joe Kaplowitz. "I believe the B3 is capable of making any sound a person can hear," he says in the liner notes. He goes on to describe the inspiration behind some of the tunes: weird New York street sounds ("Street Noise, Part 1" and "Part 2"), a meditative state induced by extended late night organ workouts ("Like Water" and an oblique version of Cole Porter's "It's Alright With Me"), the funky sound of organist Bill Heid ("Mister Heid") and plain old grooving ("Eldorado" and Marvin Gaye's "Try It, Baby"). A dark, edgy aura dominates the album. Guitarist Paul Pieper and drummer Marty Morrison work hand-in-glove with the organist. "Mister Heid" is a superlative ensemble effort, with Morrison crisp, neat and cooking hard. Even when things turn experimental ("Street Noise, Part 2"), the music seems more arranged (or guided) than random. There's some jam-band-style playing here, too, as on "Neurosis." Pieper's edgy style might remind you of John Scofield from time to time. Despite references to older organ styles, the trio sounds more at home with the Larry Young-and-beyond era that includes players such as John Medeski, Sam Yahel and Dan Wall. While feel-good rhythms and harmonies are part of the group's bag, they're only part of its total sonic kaleidoscope. This is a fine group that is realizing different sounds in an organized, well-directed way.
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