(Post-Bop) Fred Hersch & Julian Lage - Free Flying - 2013, FLAC (tracks+.cue), lossless
Треклист:
Fred Hersch & Julian Lage - Free Flying
Жанр: Post-Bop
Страна-производитель диска: США
Год издания: 2013
Издатель (лейбл): Palmetto Records
Номер по каталогу: PM2168
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 52:51
Источник (релизер): barryegan (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Song Without Words #4: Duet (Hersch) - 6:54
02. Down Home (Hersch) - 5:54
03. Heartland (Hersch) - 4:58
04. Free Flying (Hersch) - 5:05
05. Beatrice (Rivers) - 5:30
06. Song Without Words #3: Tango (Hersch) - 5:45
07. Stealthiness (Hersch) - 5:17
08. Gravity's Pull (Hersch) - 7:04
09. Monk's Dream (Monk) - 6:24
Состав:
Fred Hersch - piano
Julian Lage - guitar
Жанр: Post-Bop
Страна-производитель диска: США
Год издания: 2013
Издатель (лейбл): Palmetto Records
Номер по каталогу: PM2168
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 52:51
Источник (релизер): barryegan (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Song Without Words #4: Duet (Hersch) - 6:54
02. Down Home (Hersch) - 5:54
03. Heartland (Hersch) - 4:58
04. Free Flying (Hersch) - 5:05
05. Beatrice (Rivers) - 5:30
06. Song Without Words #3: Tango (Hersch) - 5:45
07. Stealthiness (Hersch) - 5:17
08. Gravity's Pull (Hersch) - 7:04
09. Monk's Dream (Monk) - 6:24
Состав:
Fred Hersch - piano
Julian Lage - guitar
Лог создания рипа
X Lossless Decoder version 20130720 (144.0)
XLD extraction logfile from 2013-09-11 12:04:00 -0500
Fred Hersch & Julian Lage / Free Flying
Used drive : OPTIARC DVD RW AD-5680H (revision 3AHB)
Media type : Pressed CD
Ripper mode : XLD Secure Ripper
Disable audio cache : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction : 48
Max retry count : 20
Gap status : Analyzed, Appended (except HTOA)
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
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2 | 06:54:26 | 05:54:00 | 31076 | 57625
3 | 12:48:26 | 04:57:54 | 57626 | 79954
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6 | 28:20:47 | 05:45:29 | 127547 | 153450
7 | 34:06:01 | 05:16:55 | 153451 | 177205
8 | 39:22:56 | 07:03:69 | 177206 | 208999
9 | 46:26:50 | 06:24:31 | 209000 | 237830
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Track 01
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Track 04
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End of status report
Содержание индексной карты (.CUE)
TITLE "Free Flying"
PERFORMER "Fred Hersch & Julian Lage"
CATALOG 0753957216820
REM GENRE "Jazz"
REM DATE "2013"
REM DISCID 770C6309
REM REPLAYGAIN_ALBUM_GAIN -6.71 dB
REM REPLAYGAIN_ALBUM_PEAK 0.996124
FILE "01 - Song Without Words #4- Duet.flac" WAVE
TRACK 01 AUDIO
TITLE "Song Without Words #4: Duet"
PERFORMER "Fred Hersch & Julian Lage"
ISRC US29X1316801
REM REPLAYGAIN_TRACK_GAIN -7.05 dB
REM REPLAYGAIN_TRACK_PEAK 0.947388
INDEX 01 00:00:00
FILE "02 - Down Home.flac" WAVE
TRACK 02 AUDIO
TITLE "Down Home"
PERFORMER "Fred Hersch & Julian Lage"
ISRC US29X1316802
REM REPLAYGAIN_TRACK_GAIN -7.40 dB
REM REPLAYGAIN_TRACK_PEAK 0.945557
INDEX 01 00:00:00
FILE "03 - Heartland.flac" WAVE
TRACK 03 AUDIO
TITLE "Heartland"
PERFORMER "Fred Hersch & Julian Lage"
ISRC US29X1316803
REM REPLAYGAIN_TRACK_GAIN -5.53 dB
REM REPLAYGAIN_TRACK_PEAK 0.947174
INDEX 01 00:00:00
FILE "04 - Free Flying.flac" WAVE
TRACK 04 AUDIO
TITLE "Free Flying"
PERFORMER "Fred Hersch & Julian Lage"
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INDEX 01 00:00:00
FILE "05 - Beatrice.flac" WAVE
TRACK 05 AUDIO
TITLE "Beatrice"
PERFORMER "Fred Hersch & Julian Lage"
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REM REPLAYGAIN_TRACK_GAIN -7.75 dB
REM REPLAYGAIN_TRACK_PEAK 0.996124
INDEX 01 00:00:00
FILE "06 - Song Without Words #3- Tango.flac" WAVE
TRACK 06 AUDIO
TITLE "Song Without Words #3: Tango"
PERFORMER "Fred Hersch & Julian Lage"
ISRC US29X1316806
REM REPLAYGAIN_TRACK_GAIN -3.00 dB
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FILE "07 - Stealthiness.flac" WAVE
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TITLE "Stealthiness"
PERFORMER "Fred Hersch & Julian Lage"
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FILE "08 - Gravity's Pull.flac" WAVE
TRACK 08 AUDIO
TITLE "Gravity's Pull"
PERFORMER "Fred Hersch & Julian Lage"
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FILE "09 - Monk's Dream.flac" WAVE
TRACK 09 AUDIO
TITLE "Monk's Dream"
PERFORMER "Fred Hersch & Julian Lage"
ISRC US29X1316809
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INDEX 01 00:00:00
Отчет CUETools
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Об альбоме (сборнике)
If age and experience set pianist Fred Hersch and guitarist Julian Lage apart, superior musicianship and mutual respect bind them together. On their live duet recording, Free Flying, Hersch, a seasoned player and composer recognized as one of the most creative jazz personalities of his generation, finds common ground with Lage, a prenaturally gifted player whose astonishing command of his instrument belies his age. With a mood as spirited as it is lyrical, Free Flying -- recorded at the New York club Kitano in February of 2013 - highlights the intuitive give-and-take that announces itself as an inspired musical meeting of two exceptional players who trust each other completely. The CD will be released on September 3, 2013 on the Palmetto label.
Hersch and Lage concentrate on six of the pianist's previously recorded originals including "Songs Without Words #3 & #4"; the tribute compositions, "Gravity's Pull (for Mary Joe Salter)," "Free Flying (for Egberto Gismonti)," "Heartland (for Art Lande)" and "Down Home (for Bill Frisell)"; the jazz standards, "Monk's Dream" and "Beatrice" (by Sam Rivers), as well as the previously unrecorded Hersch original, "Stealthiness (for Jim Hall)." Each provides the two with sufficient room to exhibit the conversational flow of melodic ideas and rhythmic play that distinguishes their unique partnership.
Although duets may be second nature to Hersch - he's recorded numerous one-on-one albums with many vocalists and instrumentalists, and has featured duo performances on his own recordings, including the acclaimed Fred Hersch & Friends: The Duo Album (which included an alliance with Jim Hall) - Hersch had only once before recorded a full album partnered with a guitarist: Songs We Know, his 1998 encounter with Bill Frisell. As it turns out, Lage had been assiduously absorbing
that album since he was an eight-year-old guitar wunderkind. Conversant with Hersch's playing, Lage - who, by the time he met the pianist in 2010, had already achieved considerable attention for his work with Gary Burton and others - began playing occasional duo gigs with him at Hersch's invitation.
"Julian is a very deep and sensitive player for his age," says Hersch. "He's done his homework and knows the jazz language in a very deep way. He's got a special sound that's both solid and transparent, and our sounds are very compatible; he's very open to the way I play. He's a wonderful young man and it is a pleasure working with him."
Lage, for his part, also had experience working in musical duo settings, including recording with mandolin virtuoso David Grisman and pianist Taylor Eigsti. "The duo is my favorite setting," says Lage. "And Fred has always knocked me out. His playing always has such a strong sense of narrative; it's sophisticated, so well developed and beautifully conveyed. When I play with him it's like having the best seat in the house!"
"Fred is open to whatever I do," continues Lage. "It can feel like jumping into a sandbox and going crazy. I try to avoid the tendency to match what he is doing. I often find that some of the most creative playing comes when I oppose what Fred has just played. I try to think of what would be expected and then not do that."
Such attentiveness to remaining in the moment and reacting accordingly is one of the prime delights of Free Flying. As Hersch puts it, "We play the tune before us. We try to stay in the world that the tune puts us in."
Although Hersch has his hands in a multitude of musical projects, and Lage is similarly busy, the duo will continue. "We fully intend to keep this going as a working project, " says Hersch.
Hersch and Lage concentrate on six of the pianist's previously recorded originals including "Songs Without Words #3 & #4"; the tribute compositions, "Gravity's Pull (for Mary Joe Salter)," "Free Flying (for Egberto Gismonti)," "Heartland (for Art Lande)" and "Down Home (for Bill Frisell)"; the jazz standards, "Monk's Dream" and "Beatrice" (by Sam Rivers), as well as the previously unrecorded Hersch original, "Stealthiness (for Jim Hall)." Each provides the two with sufficient room to exhibit the conversational flow of melodic ideas and rhythmic play that distinguishes their unique partnership.
Although duets may be second nature to Hersch - he's recorded numerous one-on-one albums with many vocalists and instrumentalists, and has featured duo performances on his own recordings, including the acclaimed Fred Hersch & Friends: The Duo Album (which included an alliance with Jim Hall) - Hersch had only once before recorded a full album partnered with a guitarist: Songs We Know, his 1998 encounter with Bill Frisell. As it turns out, Lage had been assiduously absorbing
that album since he was an eight-year-old guitar wunderkind. Conversant with Hersch's playing, Lage - who, by the time he met the pianist in 2010, had already achieved considerable attention for his work with Gary Burton and others - began playing occasional duo gigs with him at Hersch's invitation.
"Julian is a very deep and sensitive player for his age," says Hersch. "He's done his homework and knows the jazz language in a very deep way. He's got a special sound that's both solid and transparent, and our sounds are very compatible; he's very open to the way I play. He's a wonderful young man and it is a pleasure working with him."
Lage, for his part, also had experience working in musical duo settings, including recording with mandolin virtuoso David Grisman and pianist Taylor Eigsti. "The duo is my favorite setting," says Lage. "And Fred has always knocked me out. His playing always has such a strong sense of narrative; it's sophisticated, so well developed and beautifully conveyed. When I play with him it's like having the best seat in the house!"
"Fred is open to whatever I do," continues Lage. "It can feel like jumping into a sandbox and going crazy. I try to avoid the tendency to match what he is doing. I often find that some of the most creative playing comes when I oppose what Fred has just played. I try to think of what would be expected and then not do that."
Such attentiveness to remaining in the moment and reacting accordingly is one of the prime delights of Free Flying. As Hersch puts it, "We play the tune before us. We try to stay in the world that the tune puts us in."
Although Hersch has his hands in a multitude of musical projects, and Lage is similarly busy, the duo will continue. "We fully intend to keep this going as a working project, " says Hersch.