(Bop) Thelonious Monk - The Chronological Classics: 1951-1952 - 2007, FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 21. February 2013, 1:18
Thelonious Monk / 1951-1952
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       20  | 61:31.29 |  2:47.68 |    276854    |   289446
Range status and errors
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     Filename F:\audio\Thelonious Monk - 1951-1952.wav
     Peak level 99.7 %
     Extraction speed 5.9 X
     Range quality 100.0 %
     Test CRC 2AF7C793
     Copy CRC 2AF7C793
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[CTDB TOCID: WuEo50VWUW4dNwyZa6M.E5_uKUw-] disk not present in database, Submit result: WuEo50VWUW4dNwyZa6M.E5_uKUw- has been uploaded
==== Log checksum BA5D601D63A313EA2BEC8FE6C912B8CFDBE6AB0DB79BF2320CE1E72244F218ED ====

REM GENRE Jazz
REM DATE 2007
REM DISCID 280F1314
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Thelonious Monk"
TITLE "1951-1952"
FILE "Thelonious Monk - 1951-1952.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Four in One"
    PERFORMER "Thelonious Monk"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Criss Cross"
    PERFORMER "Thelonious Monk"
    INDEX 00 03:29:39
    INDEX 01 03:31:49
  TRACK 03 AUDIO
    TITLE "Eronel"
    PERFORMER "Thelonious Monk"
    INDEX 00 06:27:41
    INDEX 01 06:29:51
  TRACK 04 AUDIO
    TITLE "Straight No Chaser"
    PERFORMER "Thelonious Monk"
    INDEX 00 09:33:09
    INDEX 01 09:35:19
  TRACK 05 AUDIO
    TITLE "Ask Me Now"
    PERFORMER "Thelonious Monk"
    INDEX 00 12:33:14
    INDEX 01 12:35:24
  TRACK 06 AUDIO
    TITLE "Willow Weep for Me"
    PERFORMER "Thelonious Monk"
    INDEX 00 15:50:01
    INDEX 01 15:52:11
  TRACK 07 AUDIO
    TITLE "Skippy"
    PERFORMER "Thelonious Monk"
    INDEX 00 18:53:16
    INDEX 01 18:55:26
  TRACK 08 AUDIO
    TITLE "Hornin' In"
    PERFORMER "Thelonious Monk"
    INDEX 00 21:55:13
    INDEX 01 21:57:23
  TRACK 09 AUDIO
    TITLE "Sixteen"
    PERFORMER "Thelonious Monk"
    INDEX 00 25:11:47
    INDEX 01 25:13:57
  TRACK 10 AUDIO
    TITLE "Carolina Moon"
    PERFORMER "Thelonious Monk"
    INDEX 00 28:43:47
    INDEX 01 28:45:57
  TRACK 11 AUDIO
    TITLE "Let's Cool One"
    PERFORMER "Thelonious Monk"
    INDEX 00 32:13:17
    INDEX 01 32:15:27
  TRACK 12 AUDIO
    TITLE "I'll Follow You"
    PERFORMER "Thelonious Monk"
    INDEX 00 36:02:72
    INDEX 01 36:05:07
  TRACK 13 AUDIO
    TITLE "Little Rootie Tootie"
    PERFORMER "Thelonious Monk"
    INDEX 00 39:53:01
    INDEX 01 39:55:11
  TRACK 14 AUDIO
    TITLE "Sweet and Lovely"
    PERFORMER "Thelonious Monk"
    INDEX 00 43:03:48
    INDEX 01 43:05:58
  TRACK 15 AUDIO
    TITLE "Bye-Ya"
    PERFORMER "Thelonious Monk"
    INDEX 00 46:40:08
    INDEX 01 46:42:18
  TRACK 16 AUDIO
    TITLE "Monk's Dream"
    PERFORMER "Thelonious Monk"
    INDEX 00 49:28:07
    INDEX 01 49:30:17
  TRACK 17 AUDIO
    TITLE "Trinkle Tinkle"
    PERFORMER "Thelonious Monk"
    INDEX 00 52:36:30
    INDEX 01 52:38:40
  TRACK 18 AUDIO
    TITLE "These Foolish Things"
    PERFORMER "Thelonious Monk"
    INDEX 00 55:27:48
    INDEX 01 55:29:58
  TRACK 19 AUDIO
    TITLE "Bemsha Swing"
    PERFORMER "Thelonious Monk"
    INDEX 00 58:17:21
    INDEX 01 58:19:31
  TRACK 20 AUDIO
    TITLE "Reflections"
    PERFORMER "Thelonious Monk"
    INDEX 00 61:29:19
    INDEX 01 61:31:29

During a three year period following his Blue Note session of July 2, 1948, Thelonious Monk made no studio recordings as a leader. This second installment in the complete recordings of Monk as reissued in the Classics Chronological Series presents the master takes from Monk's Blue Note and Prestige sessions dating from July 23, 1951 through December 18, 1952. This portion of Monk's discography is a rich blend of 15 original compositions and five jazz standards, performed in the company of skilled improvisers like vibraphonist Milt Jackson, trumpeter Kenny Dorham, and saxophonists Lou Donaldson, Sahib Shihab, and Lucky Thompson. Monk's bassists during this 17-month period were Al McKibbon, Nelson Boyd, and Gary Mapp. His drummers were Art Blakey and Max Roach. Monk would continue to record for Prestige until September 1954; his fruitful working relationship with Riverside would commence in July 1955. By concentrating on master takes and combining the all too often separated selections from the Blue Note and Prestige catalogs, Classics has once again done a splendid job of reissuing great historic jazz recordings with a detailed disocgraphical session index and insightful liner notes that will enable the listener to better understand and fully enjoy this great music.