(Japan Fusion / Avant-Garde Pop Jazz) Killing Floor - Ratty Jass - 2003, APE (image+.cue), lossless

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
Отчёт EAC об извлечении, выполненном 7. июня 2012, 2:11
Killing Floor / Ratty Jass
Дисковод: Optiarc DVD RW AD-5280S Adapter: 0 ID: 1
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс
Выходной формат : Monkey's Audio (без потерь)
Выбранный битрейт : High Lossless Compression
Качество : Высокий
Добавление ID3-тэга : Да
Утилита сжатия : D:\H-Instal\Неинсталируемые\Portable Exact Audio Copy 0.99\App\APE\MAC.exe
TOC извлечённого CD
 Трек | Старт | Длительность | Начальный сектор | Конечный сектор
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 1 | 0:00.00 | 1:40.69 | 0 | 7568
 2 | 1:40.69 | 4:52.09 | 7569 | 29477
 3 | 6:33.03 | 11:04.27 | 29478 | 79304
 4 | 17:37.30 | 4:46.56 | 79305 | 100810
 5 | 22:24.11 | 3:27.19 | 100811 | 116354
 6 | 25:51.30 | 4:59.71 | 116355 | 138850
 7 | 30:51.26 | 8:17.61 | 138851 | 176186
 8 | 39:09.12 | 2:04.32 | 176187 | 185518
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
 Имя файла M:\LossLess\свои раздачи\Killing Floor - Ratty Jass\Killing Floor - Ratty Jass.wav
 Пиковый уровень 100.0 %
 Качество диапазона 100.0 %
 CRC копии 10109676
 Копирование... OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 нет в базе данных
Трек 2 нет в базе данных
Трек 3 нет в базе данных
Трек 4 нет в базе данных
Трек 5 нет в базе данных
Трек 6 нет в базе данных
Трек 7 нет в базе данных
Трек 8 нет в базе данных
Ни одного трека нет в базе AccurateRip
Конец отчёта

REM GENRE "Japanese Fusion"
REM DATE 2003
REM DISCID 5D09A908
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Killing Floor"
TITLE "Ratty Jass"
FILE "Killing Floor - Ratty Jass.ape" WAVE
  TRACK 01 AUDIO
    TITLE "Mana Bee"
    PERFORMER "Killing Floor"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "S-Ska"
    PERFORMER "Killing Floor"
    INDEX 01 01:40:69
  TRACK 03 AUDIO
    TITLE "Waltz For K"
    PERFORMER "Killing Floor"
    INDEX 00 06:31:02
    INDEX 01 06:33:03
  TRACK 04 AUDIO
    TITLE "Sea Monkey"
    PERFORMER "Killing Floor"
    INDEX 01 17:37:30
  TRACK 05 AUDIO
    TITLE "Take 7"
    PERFORMER "Killing Floor"
    INDEX 01 22:24:11
  TRACK 06 AUDIO
    TITLE "Golden Elephant"
    PERFORMER "Killing Floor"
    INDEX 01 25:51:30
  TRACK 07 AUDIO
    TITLE "Sambacar Nival"
    PERFORMER "Killing Floor"
    INDEX 01 30:51:26
  TRACK 08 AUDIO
    TITLE "Papappa-Rappa"
    PERFORMER "Killing Floor"
    INDEX 00 39:07:04
    INDEX 01 39:09:12

Killing Floor’s “Ratty Jass,” is loud, electric, hard-edged and energetic. Working in a fusion-ish mode, their description of the CD as “Avant-garde Pop Jazz” is apt. The avant-garde element comes from broken rhythms, strange textures and moments of cleverly “out” playing. The pop element comes from the electric instrumentation and a rollicking beat. The jazz element, perhaps better written as “jass,” one of the original spellings of the word at the turn of the century, is evident in their odd configurations, strange phrasings and generally unconventional approach.
The band paints on a broad canvas. The core is three horns, three percussionists and a “stick” bass. With plenty of guests added to the mix, they push the edges of their songs far and wide. The expanse of sonic space allows them to reveal a great deal of honest, even earnest, energy from all the players. They are having a raucous good time blasting open the melodies, drumming for all they are worth, and creating fresh, odd, concoctions of elements. Their experiments don’t always work, bits and pieces of songs sound repetitive or too easily resolved, but the collective enthusiasm carries the band past those rough points.
Moving between thick bass lines and minor melody lines taken by the horn section, the rhythms never slacken. They have worked carefully to pin down each part of their mix, but leave everything just a little rough and relaxed. The layers of sound go in all different directions for a strangely woven texture. That strangeness, though, feels just right—strange with a laugh. “Golden Elephant” dips into an Indian harmony that could come from a Bombay film soundtrack and work on a disco floor, but contains an ironic interplay of musical ideas. It’s ethnic, but not purely so. “Sambacar Nival” has a similar ethnic blend, this time of carnival rhythms. Still, the group marches to the sound of their own drummer--or rather three different drummers. With three horns, three percussionists and a “stick” in the middle, Killing Floor keeps its instrumentation unusual as well.
Jazz purists (never noted for their sense of humor) will probably find much to criticize with this release. Repeated listenings, though reveal Killing Floor’s good-time feel and high level of musicianship hidden in the quirky style, however. For example, “Waltz for K” has a delightfully odd meter, as does “Take 7.” These two tunes are complex, even when they appear to be simply a let-loose blowing section. Their free-form, high-energy flow owes something to the jam band movement, with a punk-ish sensibility, but the tight horn section, intense drumming and expansive soloing mark this as a solid jazz release. Those music lovers who enjoy hearing unexpected bits and pieces and enjoy their energy a little more raw and unhidden will find this release to be a real pleasure.Jazz in Japan

Mikio Fukushima — Alto, Soprano Sax
Shinichiro Sekiguchi — Trumpet
Katsuaki Takagai — Tenor, Bariton Sax
Katsuyuki Nishiyama — Stick
Atsushi Nakazato — Drums
Tomomi Takenoya — Percussion
Daichi Itoh — Drums, Percussion