[SACD-R][OF] Shelly Manne / Bill Evans with Monty Budwig - Empathy - 1962/2013 (Jazz, Hard Bop, Post Bop)
![[SACD-R][OF] Shelly Manne / Bill Evans with Monty Budwig - Empathy - 1962/2013 (Jazz, Hard Bop, Post Bop)](/upload/000/u2/02/1e/bill-evans-with-monty-budwig-empat.jpg "[SACD-R][OF] Shelly Manne / Bill Evans with Monty Budwig - Empathy - 1962/2013 (Jazz, Hard Bop, Post Bop)")
Треклист:
Shelly Manne / Bill Evans Monty Budwig
Empathy
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1962/2013
Жанр: Jazz, Hard Bop, Post Bop
Издатель (лейбл): Verve / Analogue Productions
Продолжительность: 00:35:03
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. The Washington Twist
02. Danny Boy
03. Let’s Go Back To The Waltz
04. With A Song In My Heart
05. Goodbye
06. I Believe In You
Musicians:
Bill Evans, piano
Monty Budwig, bass
Shelly Manne, drums
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Доп. информация: Recorded in New York, Aug. 14, 1962 by Rudy Van Gelder
Producer – Creed Taylor
Originally released as V/V6 8497 in 1962
Analogue Productions – CVR8497SA
Mastered by George Marino at Sterling Sound from the Absolute Original Analog Master Tapes!
Iso was made with sacd-ripper for PS3, from the magical Mr_Wicked.
Источник (релизер): jazzyman (PS³SACD)
http://www.elusivedisc.com/Shelly-Manne-Bill-Evans-With-Monty-Budwig-Empathy-Hybr...tinfo/APSAV8497/
https://www.jpc.de/jpcng/jazz/detail/-/art/Shelly-Manne-Bill-Evans-Empathy-Hq/hnum/2588299
Empathy
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1962/2013
Жанр: Jazz, Hard Bop, Post Bop
Издатель (лейбл): Verve / Analogue Productions
Продолжительность: 00:35:03
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. The Washington Twist
02. Danny Boy
03. Let’s Go Back To The Waltz
04. With A Song In My Heart
05. Goodbye
06. I Believe In You
Musicians:
Bill Evans, piano
Monty Budwig, bass
Shelly Manne, drums
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Доп. информация: Recorded in New York, Aug. 14, 1962 by Rudy Van Gelder
Producer – Creed Taylor
Originally released as V/V6 8497 in 1962
Analogue Productions – CVR8497SA
Mastered by George Marino at Sterling Sound from the Absolute Original Analog Master Tapes!
Iso was made with sacd-ripper for PS3, from the magical Mr_Wicked.
Источник (релизер): jazzyman (PS³SACD)
http://www.elusivedisc.com/Shelly-Manne-Bill-Evans-With-Monty-Budwig-Empathy-Hybr...tinfo/APSAV8497/
https://www.jpc.de/jpcng/jazz/detail/-/art/Shelly-Manne-Bill-Evans-Empathy-Hq/hnum/2588299
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1 Дата отчёта: 2018-02-21 10:02:41 -------------------------------------------------------------------------------- Анализ: Shelly Manne / Bill Evans / Empathy -------------------------------------------------------------------------------- DR Пики RMS Продолжительность трека -------------------------------------------------------------------------------- DR14 -6.56 дБ -23.82 дБ 6:28 01-The Washington Twist DR14 -9.23 дБ -26.83 дБ 3:42 02-Danny Boy DR14 -7.21 дБ -24.56 дБ 4:31 03-Let's Go Back To Te Waltz DR16 -5.47 дБ -25.42 дБ 9:11 04-With A Song In My Heart DR14 -9.11 дБ -26.29 дБ 5:10 05-Goodbye DR14 -7.84 дБ -24.47 дБ 5:59 06-I Believe In You -------------------------------------------------------------------------------- Количество треков: 6 Реальные значения DR: DR14 Частота: 2822400 Гц / Частота PCM: 352800 Гц Каналов: 2 Разрядность: 24 Битрейт: 5645 кбит/с Кодек: DSD64 ================================================================================
Об альбоме
A major Jazz meeting! Outstanding drummer Shelly Mann and brilliant jazz pianist Bill Evans combine with the sensitive bass playing of Monty Budwig in a program of superb improvisation.
This album came about through a fortuitous convergence of circumstances. Shelly Manne & His Men were appearing at New York's Village Vanguard, sharing the bill with the Bill Evans Trio. Getting Riverside's permission to let the pianist participate, Creed Taylor set up a session at Rudy Van Gelder's studio with Evans and Manne sharing top billing. Manne's bass player, Monty Budwig, made up the trio. This was a busman's holiday for Evans, who was freed from the musical parameters he had set for his then-current trio.
The result is that his playing seemed lighter, freer, and more relaxed than it had for a while. The album kicks off with a jaunty version of Irving Berlin's "The Washington Twist" from the unsuccessful Mr. President with Budwig sharing the honors with Evans as much as Manne. Manne spends most of his time driving Evans into more diminished and sharper playing than was usually Evans' wont. Another relatively unfamiliar Berlin work, "Let's Go Back to the Waltz," gives full reign to Evans' lyricism. The longest tune on the set is an audacious, almost lampooned version of "With a Song in My Heart" with light chordal phrasing that pretty much characterized much of the tone coming from this session. Listening to these three, it's clear that everyone was having a good time and simply enjoying being relieved of their duties with their regular combos, even if for just one day. Empathy
- Dave Nathan
This album came about through a fortuitous convergence of circumstances. Shelly Manne & His Men were appearing at New York's Village Vanguard, sharing the bill with the Bill Evans Trio. Getting Riverside's permission to let the pianist participate, Creed Taylor set up a session at Rudy Van Gelder's studio with Evans and Manne sharing top billing. Manne's bass player, Monty Budwig, made up the trio. This was a busman's holiday for Evans, who was freed from the musical parameters he had set for his then-current trio.
The result is that his playing seemed lighter, freer, and more relaxed than it had for a while. The album kicks off with a jaunty version of Irving Berlin's "The Washington Twist" from the unsuccessful Mr. President with Budwig sharing the honors with Evans as much as Manne. Manne spends most of his time driving Evans into more diminished and sharper playing than was usually Evans' wont. Another relatively unfamiliar Berlin work, "Let's Go Back to the Waltz," gives full reign to Evans' lyricism. The longest tune on the set is an audacious, almost lampooned version of "With a Song in My Heart" with light chordal phrasing that pretty much characterized much of the tone coming from this session. Listening to these three, it's clear that everyone was having a good time and simply enjoying being relieved of their duties with their regular combos, even if for just one day. Empathy
- Dave Nathan