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(Modern Creative) Scott Colley (feat. Bill Frisell, Ralph Alessi, Brian Blade, Craig Taborn) - Empire - 2010, FLAC (tracks+.cue), lossless

Треклист:
EMPIRE Scott Colley Жанр: Modern Creative
Страна-производитель диска: USA
Год издания диска: 2010
Издатель (лейбл): Cam Jazz
Номер по каталогу: 7828-2
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 54:47
Наличие сканов в содержимом раздачи: нет
Источник (релизер): net, thanks valechek82
Треклист:
1. January
2. The Gettin Place
3. For Sophia
4. 5:30 am
5. Speculation
6. Tomorrowland
7. Now what?
8. Gut
9. Five-two
10. Five-two.2
Исполнители:
Scott Colley - bass
Bill Frisell - elect. guitar
Ralph Alessi - trumpet
Brian Blade - drums
Craig Taborn - piano
Лог отсутствует. Собственно, и .cue не было - для тех, кому он необходим - сделал сам.
 
Содержание индексной карты (.CUE) (самодельная)
REM DATE 2010
REM GENRE "Jazz"
PERFORMER "Scott Colley"
TITLE "Empire"
FILE "01 - January.flac" WAVE
TRACK 01 AUDIO
TITLE "January"
PERFORMER "Scott Colley"
INDEX 01 00:00:00
FILE "02 - The Gettin Place.flac" WAVE
TRACK 02 AUDIO
TITLE "The Gettin Place"
PERFORMER "Scott Colley"
INDEX 01 00:00:00
FILE "03 - For Sophia.flac" WAVE
TRACK 03 AUDIO
TITLE "For Sophia"
PERFORMER "Scott Colley"
INDEX 01 00:00:00
FILE "04 - 530 Am.flac" WAVE
TRACK 04 AUDIO
TITLE "Am"
PERFORMER "Scott Colley"
INDEX 01 00:00:00
FILE "05 - Speculation.flac" WAVE
TRACK 05 AUDIO
TITLE "Speculation"
PERFORMER "Scott Colley"
INDEX 01 00:00:00
FILE "06 - Tomorrowland.flac" WAVE
TRACK 06 AUDIO
TITLE "Tomorrowland"
PERFORMER "Scott Colley"
INDEX 01 00:00:00
FILE "07 - Now What.flac" WAVE
TRACK 07 AUDIO
TITLE "Now What"
PERFORMER "Scott Colley"
INDEX 01 00:00:00
FILE "08 - Gut.flac" WAVE
TRACK 08 AUDIO
TITLE "Gut"
PERFORMER "Scott Colley"
INDEX 01 00:00:00
FILE "09 - Five-Two.flac" WAVE
TRACK 09 AUDIO
TITLE "Five-Two"
PERFORMER "Scott Colley"
INDEX 01 00:00:00
FILE "10 - Five-Two.2.flac" WAVE
TRACK 10 AUDIO
TITLE "Five-Two.2"
PERFORMER "Scott Colley"
INDEX 01 00:00:00
 
Лог Audiochecker
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Started at: понедельник, 30. 05. 2011. - 21:27.42
10 files found
01 -===- C:\Users\пользователь\Videos\Scott Colley - Empire (2010)\01. January - Scott Colley.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.
02 -===- C:\Users\пользователь\Videos\Scott Colley - Empire (2010)\02. The Gettin Place - Scott Colley.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.
03 -===- C:\Users\пользователь\Videos\Scott Colley - Empire (2010)\03. For Sophia - Scott Colley.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.
04 -===- C:\Users\пользователь\Videos\Scott Colley - Empire (2010)\04. 530 Am - Scott Colley.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.
05 -===- C:\Users\пользователь\Videos\Scott Colley - Empire (2010)\05. Speculation - Scott Colley.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.
06 -===- C:\Users\пользователь\Videos\Scott Colley - Empire (2010)\06. Tomorrowland - Scott Colley.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.
07 -===- C:\Users\пользователь\Videos\Scott Colley - Empire (2010)\07. Now What - Scott Colley.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.
08 -===- C:\Users\пользователь\Videos\Scott Colley - Empire (2010)\08. Gut - Scott Colley.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.
09 -===- C:\Users\пользователь\Videos\Scott Colley - Empire (2010)\09. Five-Two - Scott Colley.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.
10 -===- C:\Users\пользователь\Videos\Scott Colley - Empire (2010)\10. Five-Two.2 - Scott Colley.flac
Extracted successfully
Conclusion: this track is CDDA with probability 94%
Tempfile successfully deleted.
Finished at: понедельник, 30. 05. 2011. - 21:33.57 (operation time: 0:06.14)
 
Reviews
Since making his recording debut with Carmen McRae in the mid-'80s, Scott Colley has been one of the most in-demand bassists, working with Jim Hall and Andrew Hill, among dozens of others. But when Colley has had the opportunity to record as a leader, he has explored provocative originals interpreted with a crop of great players from his generation. Empire is centered around a core group consisting of electric guitarist Bill Frisell, trumpeter Ralph Alessi, and drummer Brian Blade, with pianist Craig Taborn added on some tracks. A brief paragraph in the booklet describes the history of the speculative town of Empire, KS, which was undone and doomed to obscurity when the railroad was built well north of the town. Colley's songs have a lonely, haunting quality, especially in the finale to "The Gettin Place," with the simulation of a train at rest fading to the close. The ballad "For Sophia" has a loping, rural flavor with Colley's melodic lead backed by Frisell and Blade. "Speculation" showcases Colley's moody bassline and Taborn's sparse, dark piano. Perhaps the most emotional track is the Colley/Alessi duet, which has hints of Baroque music built into its structure. This often subtle release deserves a quiet setting to be truly appreciated, it is easily one of Scott Colley's finest recordings.
One of jazz's most ubiquitous bassists, Scott Colley has only released a handful of albums as a leader, compared to hundreds of sessions and live dates with artists ranging from Jim Hall and Andrew Hill to Chris Potter and Antonio Sanchez. Architect of the Silent Moment (CamJazz, 2007), was a particularly impressive combination of head and heart, traditional roots and forward thinking, acoustic and electric. One of 2007's best , it was a turning point for Colley—a new path that the bassist continues to explore on Empire, a sure contender for one of 2010's top picks.
Back from Architect, trumpeter Ralph Alessi and pianist Craig Taborn help make Empire a logical progression, but with drummer Brian Blade replacing Sanchez, and guitarist Bill Frisell fleshing the group out to a quintet, there's plenty of opportunity to explore other avenues, even as they spawn from the primary path defined by Colley's pen, responsible for all of Empire's ten tracks. "For Sophia" could be an outtake from Blade's Season of Changes (Verve, 2008), the four chords of Frisell's tremelo'd guitar and Blade's soft brushwork redolent of "Stoner Hill"'s folkloric Americana vibe, but starker still, with Colley's Charlie Haden-like solo of simple perfection mirrored when the ever-selfless Frisell takes over with equally flawless lyricism.
Beginning in quiet contemplation, the episodic "5:30 am" slowly picks up steam, as Alessi's plangent melody leads to an open-ended piano solo that quickly moves from focused melodism to more extreme expressionism, as Taborn passes the baton to Alessi with a repeated motif echoed by the trumpeter's own thematic start. Alessi solos with characteristic control and effortless virtuosity, bolstered by Colley and Blade, who turn up the heat with empathic support as the trumpeter mines the full range of his instrument, leading to Blade's ostinato-driven solo of lithe dexterity and full-throttled invention.
Form turns to freedom on "The Gettin Place," with Colley's staggered, yet still grooving pulse setting a gentle context for Frisell, whose inherent idiosyncrasy expands to contrapuntal orbit with Alessi, and a solo shifting from quirky to quintessential, as the guitarist creates layers of soaring distortion and jagged, processed harmonics. Coalescing into a series of shifting voicings, Alessi winds in and around Frisell's changes, his lightning-fast, cascading lines driven by Blade's own turbulence, rallying suddenly to bring down the dynamics for a slowly spreading coda that ultimately dissolves into the ether.
Whether it's the cerebral balladry of the dark-hued "Speculation," the angular, ambient lyricism of the bassist's rubato duo with Frisell on "Tomorrowland," his ambiguous, bass riff-driven duet with Alessi on "Gut," the oblique swing-meets-surreal of the quintet-driven "Five-two" or the abstruse but, amidst all this, more accessible "Now What?," Colley's writing acts like a lightning rod, encouraging a remarkable degree of free-thinking exploration amidst a group of charts ranging from detailed to sketch-like. More challenging than Architect, Empire may have been a long time coming, but arrives with an even more definitive sense of purpose and, given the chameleon-like demands on Colley as a sideman, a clear, cohesive and cogent conceptual voice.
Скотт Колли - американский джазовый басист. Родился 24 ноября 1963 года в Лос-Анджелесе. Начал играть на басу с 11 лет, изучал джаз в Калифорнийском Институте Искусств (плюс брал уроки у Чарли Хэйдена), получил диплом в 1988 и переехал в Нью-Йорк. Первый сольный альбом - "Portable Universe" (1997).
Скотт – один из тех музыкантов, чьё влияние на современную джазовую сцену сколь сильно, столь же и незаметно. Шутка ли сказать: играя более 25 лет с самыми что ни на есть мэтрами жанра, имея в запасе уже семь сольных альбомов и более 200 записанных в качестве сессионного музыканта, Колли до сих пор пребывает в статусе "теневого" гения андеграунда. При этом простое перечисление тех, кто в разное время удостоился чести работать со Скоттом, работает лучше любого пресс-релиза – это Кармен Макрей, Диззи Гиллеспи, Джим Холл, Джон Скофилд, Арт Фармер, Херби Хэнкок, Бобби Хатчерсон, Пэт Мэтени, Гэри Бёртон – в общем, лучшие из лучших.
Но, подходя к своим записям, Скотт Колли словно бы отбрасывает весь этот наигранный багаж стилей, фразировок, композиционных форм – всего того, что опытный музыкант неизбежно несёт за собой, вкладывая в новые вещи отголоски старого. "Empire" (названный, кстати, вовсе не из-за какой-то империи, а в честь одного из бесчисленных мёртвых городишек Дикого Запада) звучит так, будто его записали именно что сельские музыканты – помимо легко читаемых корней (фолка, кантри, акустического блюза) Колли сотоварищи вложили в саунд альбома ту неторопливость и неискусность, которой славится музыкальная глубинка. При этом музыка ни секунду не стоит на месте, перетекая из одного состояния в другое – иногда в пределах одного-двух тактов. Хрупкое, буквально невесомое звуковое облако в считанные мгновения становится колким, многослойным и неуправляемым – но лишь для того, чтобы спустя какое-то время вновь затаиться в тончайших звуках и отзвуках. Музыканты (среди которых числится и прославленный гитарист-минималист Билл Фризелл) совместными усилиями ткут некое полотно, которое оседает в воздухе подобно лёгкой дымке, едва видимой сейчас и неразличимой уже через пару секунд.
Очень сильный релиз, вдыхающий жизнь в жанр, переживающий не самые креативные времена. Не пропустите. (Александр Ашбель)
Any questions -> support@pro-jazz.com. По всем вопросам пишите -> support@pro-jazz.com
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