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(Modern Creative) Albert Mangelsdorff & Francois Jeanneau - Jazz Live Trio {TCB Music SA 02222, Austria} - 2010, APE (image+.cue) lossless

(Modern Creative) Albert Mangelsdorff & Francois Jeanneau - Jazz Live Trio {TCB Music SA 02222, Austria} - 2010, APE (image+.cue) lossless
Albert Mangelsdorff / François Jeanneau - Jazz Live Trio
Swiss Radio Days
Jazz Live Trio Concert Series, Volume 22
Жанр: Modern Creative
Страна-производитель диска: Austria / EEC
Год издания диска: 2010
Издатель (лейбл): TCB Music SA (The Montreux Jazz Label)
Номер по каталогу: 02222
Страна исполнителей: Germany / France
Аудио кодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 01:07:42
Источник (релизер): barin99
Наличие сканов в содержимом раздачи: да
1. Part 1
2. Part 2
3. Le Lynx
4. Suite Eolienne
Albert Mangelsdorff — trombone (1, 2)
François Jeanneau — sax (tenor), sax (sorano) (3, 4)
Klaus Koenig — piano
Peter Frei — bass
Peter Schmidlin — drums (1, 2)
Pierre Favre — drums (3, 4)
Лог создания рипа (EAC Log)
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 17. May 2011, 23:07
Albert Mangelsdorff-Francois Jeanneau / Jazz Live Trio
Used drive : TSSTcorpDVD+-RW TS-L532B Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 704
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
1 | 0:00.00 | 18:12.24 | 0 | 81923
2 | 18:12.24 | 18:23.44 | 81924 | 164692
3 | 36:35.68 | 12:54.58 | 164693 | 222800
4 | 49:30.51 | 18:12.21 | 222801 | 304721
Range status and errors
Selected range
Filename C:\Documents and Settings\VB\My Documents\BARIN99\Albert Mangelsdorff-Francois Jeanneau - Jazz Live Trio\Albert Mangelsdorff-Francois Jeanneau - Jazz Live Trio.wav
Peak level 99.4 %
Extraction speed 0.7 X
Range quality 100.0 %
Copy CRC 3DE81714
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
None of the tracks are present in the AccurateRip database
End of status report
Содержание индексной карты (.CUE)
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "Albert Mangelsdorff-Francois Jeanneau"
TITLE "Jazz Live Trio"
FILE "Albert Mangelsdorff-Francois Jeanneau - Jazz Live Trio.ape" WAVE
TITLE "Part 1"
PERFORMER "Albert Mangelsdorff-Francois Jeanneau"
INDEX 01 00:00:00
TITLE "Part 2"
PERFORMER "Albert Mangelsdorff-Francois Jeanneau"
INDEX 01 18:12:24
TITLE "Le Lynx"
PERFORMER "Albert Mangelsdorff-Francois Jeanneau"
INDEX 00 36:27:01
INDEX 01 36:35:68
TITLE "Suite Eolienne"
PERFORMER "Albert Mangelsdorff-Francois Jeanneau"
INDEX 01 49:30:51
"Albert – I always called him Albertus Magnus – was our guest on Jazz Live twice. The first time, in 1967, we dutifully played a series of Standards in the mainstream style. However, in 1972 he was already so deeply involved in music that had been released from its fixed structures that he suggested we play two half-hour sets without any specific written material. We immediately agreed because all of us in the trio were already infected by the zeitgeist during those years, searching for ways to achieve a “freer”, less predetermined approach to music beyond the traditional song forms.
There was no playing of other people’s pieces from sheet music, which occasionally made our radio concerts quite stressful. So the evening was both relaxed and exciting. This is actually the ideal precondition for an artistic act. We included a recording of that concert’s first set on this CD.
François Janneau was the first Frenchman who we invited for a Jazz Live concert. He sent us a series of themes, which we carefully prepared. When I asked him about the tempos of the pieces during the rehearsal, he laughed and said that there were no set tempos, that it was free music. But the themes definitely had harmony structures, as well as a form. We were excited by this challenge of filtering unknown results from very traditional pieces and accepting the composed patterns solely as a general reference point and not as binding structures.
Experiments for a freer approach to the composed material were in the air at that time and had also cast their spell on us. Peter Frei and I were somewhere in the middle between free and fixed playing. Our drummer Pierre Favre had spent many years in total dedication to the free jazz movement, so he obviously was not opposed to Janneau’s concept."
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