(Hard Bop, Post-Bop) Enrico Pieranunzi - In That Dawn of Music (Musica Jazz) - 1993, FLAC (image+.cue), lossless
Треклист:
Enrico Pieranunzi - In That Dawn of Music
Жанр: Hard Bop, Post-Bop
Страна-производитель диска: Италия
Год издания: 1993
Издатель (лейбл): Musica Jazz/Soul Note
Номер по каталогу: SNMJ 003-2
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 64:06
Источник (релизер): obelix (hqshare)
Наличие сканов в содержимом раздачи: да
Треклист:
01. Someday My Prince Will Come (Morey-Churchill) - 7:57
02. Impromptu No.5 (Pieranunzi) - 4:30
03. Anthropology (Parker-Gillespie) - 6:52
04. What's What (Pieranunzi) - 12:06
05. Je ne sais quoi (Pieranunzi) - 8:52
06. Straight No Chaser (Monk) - 4:48
07. In That Dawn of Music (Pieranunzi) - 7:39
08. Someday My Prince Will Come (Morey-Churchill) - 11:22
Лог создания рипа
Содержание индексной карты (.CUE)
Отчет CUETools
Об альбоме (сборнике)
Состав
Жанр: Hard Bop, Post-Bop
Страна-производитель диска: Италия
Год издания: 1993
Издатель (лейбл): Musica Jazz/Soul Note
Номер по каталогу: SNMJ 003-2
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 64:06
Источник (релизер): obelix (hqshare)
Наличие сканов в содержимом раздачи: да
Треклист:
01. Someday My Prince Will Come (Morey-Churchill) - 7:57
02. Impromptu No.5 (Pieranunzi) - 4:30
03. Anthropology (Parker-Gillespie) - 6:52
04. What's What (Pieranunzi) - 12:06
05. Je ne sais quoi (Pieranunzi) - 8:52
06. Straight No Chaser (Monk) - 4:48
07. In That Dawn of Music (Pieranunzi) - 7:39
08. Someday My Prince Will Come (Morey-Churchill) - 11:22
Exact Audio Copy V0.99 prebeta 3 from 28. July 2007 EAC extraction logfile from 3. January 2008, 12:00 Enrico Pieranunzi / In That Dawn of Music Used drive : HL-DT-STCD-RW GCE-8525B Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Combined read/write offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : No Used interface : Installed external ASPI interface Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo Use compression offset : 0 TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.33 | 7:57.25 | 33 | 35832 2 | 7:57.58 | 4:29.50 | 35833 | 56057 3 | 12:27.33 | 6:52.00 | 56058 | 86957 4 | 19:19.33 | 12:05.57 | 86958 | 141389 5 | 31:25.15 | 8:52.18 | 141390 | 181307 6 | 40:17.33 | 4:48.12 | 181308 | 202919 7 | 45:05.45 | 7:39.00 | 202920 | 237344 8 | 52:44.45 | 11:21.63 | 237345 | 288482 Range status and errors Selected range Filename C:\HQ Rips\Enrico Pieranunzi - In That Dawn of Music.wav Peak level 100.0 % Range quality 100.0 % Copy CRC 3103160A Copy OK No errors occurred End of status report
REM GENRE Jazz REM DATE 1993 REM DISCID 7B0F0608 REM COMMENT "ExactAudioCopy v0.99pb3" PERFORMER "Enrico Pieranunzi" TITLE "In That Dawn of Music" FILE "Enrico Pieranunzi - In That Dawn of Music.wav" WAVE TRACK 01 AUDIO TITLE "Someday My Prince Will Come" PERFORMER "Enrico Pieranunzi" INDEX 00 00:00:00 INDEX 01 00:00:33 TRACK 02 AUDIO TITLE "Impromptu No.5" PERFORMER "Enrico Pieranunzi" INDEX 01 07:57:58 TRACK 03 AUDIO TITLE "Anthropology" PERFORMER "Enrico Pieranunzi" INDEX 01 12:27:33 TRACK 04 AUDIO TITLE "What's What" PERFORMER "Enrico Pieranunzi" INDEX 01 19:19:33 TRACK 05 AUDIO TITLE "Je ne sais quoi" PERFORMER "Enrico Pieranunzi" INDEX 01 31:25:15 TRACK 06 AUDIO TITLE "Straight No Chaser" PERFORMER "Enrico Pieranunzi" INDEX 01 40:17:33 TRACK 07 AUDIO TITLE "In That Dawn of Music" PERFORMER "Enrico Pieranunzi" INDEX 01 45:05:45 TRACK 08 AUDIO TITLE "Someday My Prince Will Come" PERFORMER "Enrico Pieranunzi" INDEX 01 52:44:45
[CUETools log; Date: 15.04.2013 2:34:53; Version: 2.1.4] Pregap length 00:00:33. [CTDB TOCID: oxs6BqFU4n.X1MntKscI1Uo5D1s-] disk not present in database. [AccurateRip ID: 0012c5f8-007e9e42-7b0f0608] found. Track [ CRC | V2 ] Status 01 [e4d13958|9f1cabeb] (2+0/2) Accurately ripped 02 [51e6f9cf|97cb898f] (2+0/2) Accurately ripped 03 [f5498c16|f9b27ed4] (2+0/2) Accurately ripped 04 [696c30d4|4d806ed6] (2+0/2) Accurately ripped 05 [6df885d1|8aeb293b] (2+0/2) Accurately ripped 06 [22b77e1b|5cb46c92] (2+0/2) Accurately ripped 07 [9aeeb4b4|440221b5] (2+0/2) Accurately ripped 08 [5dd2383a|25bbed8c] (2+0/2) Accurately ripped Track Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 100,0 [3E16F4C4] [3103160A] W/O NULL 01 96,9 [1CC28491] [8F842F6C] 02 92,6 [A1F7E382] [599BEFAE] 03 99,2 [D12D299E] [02A3D8CC] 04 96,7 [12458A54] [DF6ACEEE] 05 100,0 [61956711] [74B9C254] 06 85,8 [181479F0] [92B2DDF1] 07 100,0 [6C4A2B51] [03143548] 08 100,0 [2F221287] [30472EF8]
What else to add on Enrico Pieranunzi that you don't already know, or that the website of the artist can not explain?
What I'd like to tell you, however, is that once the magazine Musica Jazz, the first and the most specific Italian publication dedicated to this music, attached in homage to his readers precious LP or CD like this, where they were published unreleased recordings taken from rare live concerts. Then, for reasons of publishing rights or because it's more convenient to choose the easy way out, this is no longer happened.
This does not detract from the prestige and professionalism of this publication.
I think especially in the historical memory that this magazine, operating since 1945, the year of Italy's liberation from fascism, built with passion, and is now available online, thanks to the National Center for Jazz Studies Arrigo Polillo, on the initiative and editorial care by Francesco Martinelli.
For me, however, the decision to make available these unpublished recordings, which were likely to forget, is the closest thing to the spirit of preservation and sharing of jazz that inspires my blog. Now you can listen Enrico Pieranunzi, but there are also unpublished records of Gianluigi Trovesi, Guido Manusardi, Giorgio Gaslini, Giancarlo Schiaffini, Gianni Basso, Massimo Urbani, Chet Baker in Italy, and others that now I don't remember.
This is because, besides the pleasure of hearing a good record, those unreleased recordings, contributed, in an excellent manner, to write the history of music that is based essentially on his performances, rather than on the written page.
I hope that now, with the new editor and with the interesting and transverse direction of Filippo Bianchi, the desire to document the sound of this music, returns one of the priorities of this magazine.
-- Jazz from Italy
What I'd like to tell you, however, is that once the magazine Musica Jazz, the first and the most specific Italian publication dedicated to this music, attached in homage to his readers precious LP or CD like this, where they were published unreleased recordings taken from rare live concerts. Then, for reasons of publishing rights or because it's more convenient to choose the easy way out, this is no longer happened.
This does not detract from the prestige and professionalism of this publication.
I think especially in the historical memory that this magazine, operating since 1945, the year of Italy's liberation from fascism, built with passion, and is now available online, thanks to the National Center for Jazz Studies Arrigo Polillo, on the initiative and editorial care by Francesco Martinelli.
For me, however, the decision to make available these unpublished recordings, which were likely to forget, is the closest thing to the spirit of preservation and sharing of jazz that inspires my blog. Now you can listen Enrico Pieranunzi, but there are also unpublished records of Gianluigi Trovesi, Guido Manusardi, Giorgio Gaslini, Giancarlo Schiaffini, Gianni Basso, Massimo Urbani, Chet Baker in Italy, and others that now I don't remember.
This is because, besides the pleasure of hearing a good record, those unreleased recordings, contributed, in an excellent manner, to write the history of music that is based essentially on his performances, rather than on the written page.
I hope that now, with the new editor and with the interesting and transverse direction of Filippo Bianchi, the desire to document the sound of this music, returns one of the priorities of this magazine.
-- Jazz from Italy
#1: Enrico Pieranunzi (piano), Mads Vinding (bass), Alex Riel (drums) / Live broadcast from Danish Radio, Copenaghen 1990, August 13
#2: Enrico Pieranunzi (piano) / Live at Ivrea Jazz Festival 1993, March 12
#3: Enrico Pieranunzi (piano), Paul Motian (drums) / Live at Roccella Ionica 1992, August 27
#4: Pietro Tonolo (tenor sax), Enrico Pieranunzi (piano), Enzo Pietropaoli (bass), Fabrizio Sferra (drums) / Live at "Fabrik", Hamburg 1992, November 21
#5: Enrico Pieranunzi (piano), Marc Johnson (bass) / Live broadcast from Radio de la Suisse Romande, Losanna 1990, December 13
#6: Enrico Pieranunzi (piano), Paul Motian (drums) / Live at Roccella Ionica 1992, August 27
#7: Stefano D'Anna (tenor sax), Enrico Pieranunzi (piano), Enzo Pietropaoli (bass), Roberto Gatto (drums) / Rome 1990, April 18
#8: Enrico Pieranunzi (piano), Enzo Pietropaoli (bass), Fabrizio Sferra (drums) / Live at "Jazzhouse", Copenaghen 1992, November 20
#2: Enrico Pieranunzi (piano) / Live at Ivrea Jazz Festival 1993, March 12
#3: Enrico Pieranunzi (piano), Paul Motian (drums) / Live at Roccella Ionica 1992, August 27
#4: Pietro Tonolo (tenor sax), Enrico Pieranunzi (piano), Enzo Pietropaoli (bass), Fabrizio Sferra (drums) / Live at "Fabrik", Hamburg 1992, November 21
#5: Enrico Pieranunzi (piano), Marc Johnson (bass) / Live broadcast from Radio de la Suisse Romande, Losanna 1990, December 13
#6: Enrico Pieranunzi (piano), Paul Motian (drums) / Live at Roccella Ionica 1992, August 27
#7: Stefano D'Anna (tenor sax), Enrico Pieranunzi (piano), Enzo Pietropaoli (bass), Roberto Gatto (drums) / Rome 1990, April 18
#8: Enrico Pieranunzi (piano), Enzo Pietropaoli (bass), Fabrizio Sferra (drums) / Live at "Jazzhouse", Copenaghen 1992, November 20